CFP: The Legacy of Radiohead's 'The Bends' 20 Years On [Deadlines: 29 Jan / 12 Feb]

 
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Wednesday, Sep 24, 2014
Two exciting Main Competition thrillers probing Polish-Russian relations screen on the fifth day of the Festival.

The Main Competition selection at this year’s Gdynia Film Festival has been highly diverse, with films ranging from the low, low-budget (Aleksandra Gowin and Ireneusz Grzyb’s disarming Little Crushes); Krzysztof Skonieczny’s disturbing Hardkor Disko) to the super-lavish (Warsaw 44).


More towards the latter end of the scale are Wladyslaw Pasikowski’s Jack Strong and Waldemar Krzystek’s The Photographer, two highly enjoyable, polished mainstream thrillers which also probe Polish-Russian relations in intriguing ways.


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Monday, Sep 22, 2014
A mystery thriller, a biographical portrait, a mother/daughter melodrama and a visit to the "Island of Love" make up our fourth day at Gdynia Film Festival.

In Michał Otłowski’s Waterline  (Jeziorak), Jowita Budnik plays Iza Deren, a no-nonsense policewoman who’s investigating a girl’s death. The decidedly put-upon Iza has more than this case on her plate, unfortunately.


She’s pregnant, for one, and the father of the twins she’s expecting has disappeared under mysterious circumstances with another police colleague. Meanwhile, the investigation turns up some long-buried secrets from Iza’s own past.


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Friday, Sep 19, 2014
Two Main Competition films that explore Poland's past: one treating it as picaresque comedy, the other as harrowing special effects spectacle.

As demonstrated by the recent success of films as diverse as In Darkness (2011), Aftermath (2012) and Ida (2013) (to name but three), Poland’s turbulent and often traumatic history remains a topic of great concern for contemporary filmmakers. This interest is evident again in a large number of the films screening at Gdynia this year, of which Jerzy Stuhr’s picaresque comedy, The Citizen (Obywatel), must rank as one of the most curious.


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Wednesday, Sep 17, 2014
Love, war and other crap at the Gdynia Film Festival, Poland's largest and most prestigious showcase for its national cinema.

Founded in 1974 and now in its 39th year (two were lost to the imposition of martial law in the early ‘80s) the Gdynia Film Festival (15-20 September 2014) is the oldest and most prestigious event in the Polish film calendar, and one of the primary showcases for national cinema. (Recent winners include Agnieska Holland’s In Darkness [2012] and, last year, Pawel Pawlikowski’s Ida.)


The range of movies, events, exhibitions and workshops that the festival offers clearly plays a large part in that reputation, while its blissful location in the gorgeous Gdynia (the northern seaside locale that’s part of the so-called “Tri-City”, or “Trójmiasto”, alongside Gdansk and Sopot) doesn’t hurt, either. As a first-time attendee, I’ve been struck over the last couple of days by the festival’s excellent organisation and welcoming atmosphere, and by the richness of its programming which offers a sometimes overwhelming choice of things to do and see.


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Monday, Apr 21, 2014
Horror flick The Canal slowly builds malaise into an excellent and unsettling genre piece.

The official summary of The Canal is a bit inaccurate and may spoil a part of the film (official description here). So I thought to create a revision (using some of the same language): A film-archivist views footage turn-of-the-century news report about a man who slaughters his family in his present-day home. When David’s marriage dissipates in a flash, the ghostly murderer rises from the murky waters, casting David’s life into an unfortunate downward spiral that threatens the lives of everyone around him.


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