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by Alex Ramon

22 Sep 2014


In Michał Otłowski’s Waterline  (Jeziorak), Jowita Budnik plays Iza Deren, a no-nonsense policewoman who’s investigating a girl’s death. The decidedly put-upon Iza has more than this case on her plate, unfortunately.

She’s pregnant, for one, and the father of the twins she’s expecting has disappeared under mysterious circumstances with another police colleague. Meanwhile, the investigation turns up some long-buried secrets from Iza’s own past.

by Alex Ramon

19 Sep 2014


As demonstrated by the recent success of films as diverse as In Darkness (2011), Aftermath (2012) and Ida (2013) (to name but three), Poland’s turbulent and often traumatic history remains a topic of great concern for contemporary filmmakers. This interest is evident again in a large number of the films screening at Gdynia this year, of which Jerzy Stuhr’s picaresque comedy, The Citizen (Obywatel), must rank as one of the most curious.

by Alex Ramon

17 Sep 2014


Founded in 1974 and now in its 39th year (two were lost to the imposition of martial law in the early ‘80s) the Gdynia Film Festival (15-20 September 2014) is the oldest and most prestigious event in the Polish film calendar, and one of the primary showcases for national cinema. (Recent winners include Agnieska Holland’s In Darkness [2012] and, last year, Pawel Pawlikowski’s Ida.)

The range of movies, events, exhibitions and workshops that the festival offers clearly plays a large part in that reputation, while its blissful location in the gorgeous Gdynia (the northern seaside locale that’s part of the so-called “Tri-City”, or “Trójmiasto”, alongside Gdansk and Sopot) doesn’t hurt, either. As a first-time attendee, I’ve been struck over the last couple of days by the festival’s excellent organisation and welcoming atmosphere, and by the richness of its programming which offers a sometimes overwhelming choice of things to do and see.

by Sachyn Mital

21 Apr 2014


The official summary of The Canal is a bit inaccurate and may spoil a part of the film (official description here). So I thought to create a revision (using some of the same language): A film-archivist views footage turn-of-the-century news report about a man who slaughters his family in his present-day home. When David’s marriage dissipates in a flash, the ghostly murderer rises from the murky waters, casting David’s life into an unfortunate downward spiral that threatens the lives of everyone around him.

by Sachyn Mital

18 Apr 2014


Summary: Ellie Klug has one last chance to prove her value to her aging music magazine, Stax. As luck would have it, her editor has just the assignment: a no-stone-unturned search to discover what really happened to long lost local rock god, Matt Smith. And wouldn’t you know it? Ellie and Matt have a history. Joined on the road by well-meaning but music-hating documentarian Charlie, Ellie delves into her past and quickly discovers that hype and mythology have not soothed the pain of her own experiences.

//Mixed media
//Blogs

St. Vincent, Beck, and More Heat Up Boston Calling on Memorial Day Weekend

// Notes from the Road

"With vibrant performances by artists including St. Vincent and TV on the Radio, the first half of the bi-annual Boston Calling Festival brought additional excitement to Memorial Day weekend.

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