SONS OF NORWAY
Director: Jens Lien
Cast: Åsmund Høeg, Sven Nordin, Sonja Richter, Tony Veisle Skarpsmo, John Lydon
At the public screening for this Norwegian coming of age tale, former Sex Pistol and co-star Johnny Rotten was asked to introduce the film. “You’ll really like it,” he declared. “And if you don’t, you’re fucking cunts.” Well. Glad I liked it, I guess. Sons of Norway, mockingly named after a Norwegian cultural heritage preservation society, tells the story of the role punk music and culture influenced a young boy on the cusp of his adolescence in 1978.
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SONS OF NORWAY
Director: Alexander Payne
Cast: George Clooney, Shailene Woodley, Beau Bridges, Judy Greer
There is much to admire in Alexander Payne’s new comic drama, his first since the widely-revered Sideways in 2004. Though not nearly as clever or as fun as his earlier masterstrokes like Election or Citizen Ruth, this is a mature and well-executed study of what happens when people die and leave us with their messes to clean up.
Director: Ben Wheatley
Cast: Neil Maskell, Michael Smiley, MyAnna Buring, Emma Fryer
Country: United Kingdom
Kill List is the single most demented horror film I have seen in years, and maybe also the very best. Defying any genre expectations—the first 40 minutes or so take place at a highly naturalistic, Mike Leigh-esque dinner party, for example—and pushing viewers toward a thoroughly baffling blood-soaked ending, there is nothing much here that’s familiar. Which is why it all feels so fresh, so invigorating, and, eventually, so goddamn terrifying.
MARTHA MARCY MAY MARLENE
Director: Sean Durkin
Cast: Elizabeth Olsen, Christopher Abbott, Brady Corbet, Hugh Dancy, Maria Dizzia, Julia Garner, John Hawkes, Louisa Krause, Sarah Paulson
An exquisite, terrifying, and marvelously vertiginous film, Martha Marcy May Marlene is my favourite movie of the Festival, and may stand up as my favourite picture of the year. A meditative study of a young woman (a dazzling Elizabeth Olsen) during the first weeks after she escapes from a cult, the narrative moves back and forth in time, juxtaposing her struggle reconnecting with her relatives on the outside world with scenes demonstrating the relative ease she had connecting with the “family” at their farm.
Director: Malgorzata Szumowska
Cast: Juliette Binoche, Joanna Kulig, Anaïs Demoustier
Country: France / Poland / Germany
Juliette Binoche plays a top-flight investigative reporter for Elle magazine who has been tasked with an article on students who turn to prostitution to pay their bills. To that end, she has interviewed a pair of young women (one a working class social climber and the other a Polish immigrant) and is now sitting at her desk reflecting on what they have told her, what they have been through, and the ways their stories conflict with her own feminist assumptions about sex work.