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by Thomas Britt

15 May 2014

The 2014 Nelsonville Music Festival begins on May 29. Produced by Stuart’s Opera House, the festival will once again feature an impressive slate of performances in “the beautiful, rolling hills of Southeast Ohio”. In anticipation of the tenth annual festival, PopMatters interviews the organizers about its history and growing reputation.

Tim Peacock, executive director of Stuart’s Opera House, describes the event as “an unlikely festival in an unlikely town” and says, “Nelsonville, with its… hills and forests… is in the most beautiful part of Ohio.” Marketing director Brian Koscho speaks in similar terms of the festival as “a special event in a great place”. He says, “I’m biased, but it is. Southeast Ohio is my home and it is a beautiful part of our world. It isn’t the most obvious place for a festival to be, but once people make it down for the first time we hope they see why it is here.”

by Sachyn Mital

27 Feb 2014

In the midst of an extensive New York winter, Tinariwen stopped through New York to promote their new album Emmaar (“heat of the breeze”). The falling snow isn’t something the Malian band is used to out in the Saharan desert. But unfortunately, their country is in disarray given that attempts to create a separate or autonomous area in Azawad as a home for the Tuareg people have resulted in an extremist Islamic presence escalating conflicts with the Malian government. Tinariwen was thus persuaded to record Emmaar in a different desert, California’s Joshua Tree.

by Kiel Hauck

10 Jul 2013

It’s not an overstatement to say that Anberlin’s sixth proper full length, Vital, was one of the most criminally underrated rock records of 2012. The Florida rockers have developed a penchant for crafting alt-rock records that challenge the listener while maintaining a distinct accessibility, and Vital may very well be the band’s defining work. Chock-full of urgent guitar riffs and burning calls for hope amidst desperation, the album may be the band’s heaviest to date – both in terms of sound and content.

What is even more impressive than Anberlin’s ability to capture fiery emotion on tape is the band’s knack for stripping it all down in their acoustic live performances. Last spring, the band took their first official acoustic trek, showcasing a different side of a band already known for its diverse talents. Now, a mere year later, the band is treating any cities that missed out on last year’s jaunt with a new slew of acoustic dates.

by Jane Jansen Seymour

29 Jun 2012

Tom Jackson is a passionate teacher of performance, working with artists individually or in a classroom setting to electrify musical acts on stage. He tours like he’s still in a band himself, stopping in towns to offer words of wisdom and bring out the brazen confidence that lurks within any musician. In New York City for the recent New Music Seminar, Jackson’s session “Live Performance Workshop: Making the Band”, kept a rapt audience chuckling with witticisms such as “Guys like guitar riffs, girls like relationships,” and how bands need to ask, “Are you dating your audience or are you married to them?” Jackson’s website details his philosophy, along with offers for his own merch of books and DVD sets. But Jackson is also proud of a profitable sideline, connecting artists with non-profit organizations through his Artist Tour Support program. Touring is expensive and Jackson’s program provides another revenue outlet for the band, while fundraising for organizations that he has developed a relationship with through meetings and research. There is a simple form on his website for artists to inquire about future opportunities and an expanded roster of charities that benefit from this collaboration, including Childfund International and Heifer International. Over a lunch break during the seminar, he chatted with PopMatters about the Tour Support Program.

by Jane Jansen Seymour

15 Nov 2011

A few days into a national tour supporting a new release, Anthony Gonzalez of M83 sat down in a room full of press and public at the Moog Factory in Asheville, North Carolina. He had just arrived in town for a stop at Moogfest, the annual music festival in late October honoring synthesizer pioneer Bob Moog. Just weeks after his sixth album, Hurry Up, We’re Dreaming, dropped, Gonzalez was game to discuss how he approaches creating music in a charming French accent while flashing an impish grin. With a band named after a spiral galaxy (Messier 83) and a love of all things electronic, Gonzalez felt right at home. He was also looking forward to seeing James Murphy of LCD Soundsystem (who was playing a dj set with Pat Mahoney as ‘Special Disco Version’) and seeing fellow tour band Active Child on a larger stage.

“It’s fantastic to be here with a ton of synthesizers all over the place—it’s like a museum and I’m super excited to play,” Gonzalez said. “We started the tour four days ago so it’s kind of a work in progress, but I’m super amped to be back on tour and connect with my fans”.

//Mixed media

Virtual Reality and Storytelling: What Happens When Art and Technology Collide?

// Moving Pixels

"Virtual reality is changing the face of entertainment, and I can see a future when I will find myself inside VR listening to some psych-rock while meditating on an asteroid.

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