José González is an indie singer-songwriter from Sweden and, with the release of his first proper album Veneer in 2003, he found a lot of fans, particularly as his songs “Crosses” and his cover of the Knife’s “Heartbeat” got a lot of buzz. The album was successful enough that he ended up not following through with his pursuit of a PhD and he has continued to work on a variety of musical projects since then, most recently another solo release, 2015’s Vestiges & Claws. I’ve followed his musical career since that album and, having seen him perform a couple of times in the past year, was looking forward to his Newport set.
Unfortunately, his Harbor stage slot on Saturday 25 July conflicted with Sufjan Stevens on the Fort stage so I knew I couldn’t see it all of González’s performance. But I did get over in time to watch him perform “Line of Fire”, a song he did with Junip, and one of Vestiges’ singles, “Open Book”. The next day, it turned out he was to do a surprise set at a corporate sponsored stage but I arrived there to find a large crowd already spilling out of a small room. I could neither see him nor hear his delicate music very well in part due to louder music from the Quad Stage. The two Newport sets were more intimate than the two recent performances I saw of his in New York, so it would have been a treat to see them entirely. But fortunately, I had spotted González lingering back stage (and talking with Jon Batiste at one point) and had arranged to speak with him about his various musical interests, projects and his birthday show last year.