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by Sachyn Mital

14 Dec 2015


Glen Hansard recently earned a Grammy nomination in the category of “Best Folk Album” for his second solo album Didn’t He Ramble. The Irish singer has been touring hard to support the album and recently did two shows in New York City, the second of which, at the Beacon Theatre, was sold out (the first night at Kings Theatre wasn’t).

Hansard did much of the same set as he did at Kings, including several of the same stories, but since his music is so enjoyable, it was great to see him perform again, as he includes several of his The Swell Season favorites into the set. Check out photos, a video clip (cameras were frowned upon) and the setlist from the show below.

by Sachyn Mital

24 Nov 2015


The BBC thought Marina and the Diamond‘s Froot should have landed a nomination for the Mercury Prize which was awarded last week to Benjamin Clementine (for At Least for Now). Over the course of 2015, I have found Marina’s album to be an extremely engaging pop record, enough so that it stands in the genre as a favorite (alongside Say Lou Lou) of the year. So I had to see her once more—with the bonus of having Christine and the Queens as openers.

by Sachyn Mital

23 Nov 2015


BOOTS, the musician Jordan Asher, isn’t a household name. He isn’t even the easiest internet search. But he has made his name producing tracks for Beyoncé, FKA twigs, Run the Jewels and more. With the release of his debut album AQUARIA this month, BOOTS decided to forgo any of the celebrity connections and do a record that lets his skills as a singer/rapper/producer/guitarist shine—he’s got almost as many slashes as Grimes does. The New York Times describes the album as, “a post-apocalyptic soundscape that’s simultaneously desolate and pressured.”

by Sachyn Mital

20 Nov 2015


French singer Héloïse Letissier isn’t a known name in the United States. Neither is her group, Christine and the Queens, at least not yet. Christine performed in New York City for four nights in November, two opening for Marina and the Diamonds, one headlining Webster Hall and a final late night spot on The Daily Show. Her personality and presence could be described as a mix of Florence and the Machine and Stromae—a combination of ferocity, dance moves and Frenchness (Stromae is Belgian but does sing in French). Her song “Tilted” is perhaps the standout of her debut album Christine and the Queens (Neon Gold / Because Records) and it was one of a couple of songs she played in front of a live studio audience.

by Sachyn Mital

19 Nov 2015


Anderson East has had a very successful 2015. He began the year on a stretch of dates opening up for Sturgill Simpson, released a new album Delilah and took it on tour, opened for Brandi Carlile in the summer and then took the road with the Lone Bellow in the fall. The Nashville based singer has been lumped into the “country” music genre but he’s more than that. East possess a fiery, soulful Americana sound that really packs a wallop when he pushes his vocal chords to their limits.

At Webster Hall, the last stop with the Lone Bellow, East and his comrades were in fine form even as the crowd seemed more sparse than it should at a sold out show. This was the evening of the attacks in Paris after all and people may have felt more conscious about going out to a show. But hardcore fans made their pilgrimage—from the photo pit, I could see at least one person submit to their fervor for East, throwing her head back and dancing wildly. She will probably be leading a batch of new converts to one of the headlining shows on East’s winter tour.

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