With Whoopi Goldberg as its Grand Marshal, the 2014 Village Halloween Parade included thousands of costumed revelers, both walking the street and watching from the sides. Whether they were dressed up in something cute and cuddly or they were trailing blood and gore or they were just coming to watch, there was something for everyone to enjoy at the Parade. Check out some photos below.
Latest Blog Posts
October 27th, 2014 marked the first anniversary of Lou Reed’s death, a milestone that surprisingly went by with little fanfare beyond Facebook tribute posts and a touching video from Reed’s Velvet Underground colleague John Cale. New Yorkers, however, were fortunate enough to celebrate in style with Hedwig and the Angry Itch co-creator Stephen Trask and Tits of Clay, Hedwig’s Broadway house band. An early show at Manhattan’s Mercury Lounge saw the band and Trask running through the whole of Reed’s 1972 masterpiece, Transformer, before pulling out some Velvet Underground classics for the encore.
Swedish folk sisters Johanna and Klara Söderberg of First Aid Kit had played New York City earlier this year at a sold-out show at Webster Hall. They had also played Webster Hall during CMJ in 2012 at a sold-out show supporting their album The Lion’s Roar but this year, during CMJ, the duo moved across town for a show at the larger Hammerstein Ballroom. This year saw the release of their third album Stay Gold a bittersweet work that I’ve listened to frequently. Having missed the earlier show, I had to catch them this go around and they did not disappoint. Their opener was Oklahoma singer-songwriter, 28-year-old Samantha Crain, another folk rocker that was a good match for First Aid Kit as the front row fans watched and listened to her very appreciatively.
First Aid Kit were accompanied by a drummer and a string quartet to bring their Stay Gold and older material to life on stage and their intimate, bittersweet songs drew the audience in. The intimacy of the show was enhanced by the confession that Johanna doesn’t like the time between songs, though it allows her to share jokes, like the one about a scarecrow winning the Nobel Prize. As they performed, through “Cedar Lane” and “My Silver Lining”, two of my Stay Gold favorites, as well as a cover of Jack White’s “Love Interruption”, an acoustic “Ghost Town” and into the closer “Emmylou”, the sisters beautiful voices shone with the finesse and beauty of folk singers more than twice their age.
A couple of years ago, I went to see a performance by Chip Taylor without really knowing what to expect. I left the show very impressed and glad I got to see a classic singer-songwriter. This week I had the opportunity to see Buster Poindexter, the alter-ego of David Johansen, a singer-songwriter who was part of the early-punk band New York Dolls, at Café Carlyle, the spot where Woody Allen is known to play jazz flute. I went into this performance knowing only that he does a rendition of the perennial calypso favorite “Hot Hot Hot”. I left thoroughly entertained and amazed, thinking, ‘wow, wow, wow’.
CMJ 2014 started off on a Tuesday and continues through the weekend giving a lot of unseen, unheard and unsigned bands a chance to catch the attention of a music blogger or critic (of which there are plenty at any given showcase). As I have done for the past couple of years, I made my first CMJ showcase stop the New Zealand showcase, though this time it moved from LPR to Webster Hall. While enjoying some savory pies, I caught electro-pop singer Chelsea Jade and the band Doprah. However, I knew that Jukebox the Ghost were doing a launch party for their latest, self-titled album at a swank hotel’s rooftop, so I had to cut out early to see the pop band. It was the first time drummer Jesse Kristin sung a song in public (from what I understood)! But their set ended around 9 and, as the CMJ schedule has music for hours and hours, I just wandered back to Webster Hall to see another poppy band, Little Daylight as part of a showcase with Tiny Victories, Carousel and more. For a while it seemed like Tiny Victories set would be cut short as the showcase was behind schedule, but they did get in a song or two after doing a Tom Petty cover. The light crowd appreciated the extra opportunity to dance along. Then the crowd continued to dance stage during Little Daylight’s set, which too had a cover, Bowie’s “Let’s Dance”.