At TIFF, Alex Ramon enjoys the deluxe casting in John Wells's film of August: Osage County, especially Meryl Streep's scenery chewin' turn, but finds the material to be too much of a calculated dysfunction-fest.
August: Osage County
USA, 2013—Dir. John Wells
Snorting, cackling and speaking in scary low tones (with impeccable—natch!—Oklahoma twang to boot), Meryl Streep puts on a show in August: Osage County, John Wells’s film adaptation of Tracy Letts’s play, which premiered at Toronto Film Festival on Monday night. As Vi, the bewigged, pill-popping, cancerous matriarch who’s at the centre of the drama, Streep goes all out, delivering a juicily theatrical turn that’s consistently lively and surprising.
Wells has surrounded the mighty Meryl’s scenery-chewin’ exploits with a bunch of big names also doing their thang: there’s Julia Roberts, Juliette Lewis and Julianne Nicholson as her three daughters, Ewan McGregor as Roberts’s spouse, Margo Martindale and Chris Cooper as her sister and brother-in-law, and Benedict Cumberbatch as their son. Not to forget a brief bonus cameo from Sam Shepard as Vi’s husband, the character whose suicide sets the drama in motion by contriving to bring the extended clan together at the family homestead for a hearty round of ructions and revelations.