Latest Blog Posts

by Scott Zuppardo

14 Aug 2017


Chicago music/culture scribe staple Erin Osmon’s debut as a book writer is a touching, almost mythical glimpse into the posthumous genius of Jason Molina. The Songs: Ohia / Magnolia Electric Co. mastermind’s tale is a harrowing scope on the travails of one of America’s most tragically unsung folk rock heroes.

by Magdalen Jenne

3 May 2017


Sex Pistols: Poison in the Machine is a new biography of an old story, which puts it at no particular advantage: as happy as Pistols fans might be to read multiple iterations of the same brief narrative, their choices are virtually limitless. Steve Jones’ autobiography, released this past November, certainly makes for stiff competition, and it’s just one of the many.

by Imran Khan

12 Apr 2017


The fabled realism of Maria Gripe’s The Glassblower’s Children (originally published in Sweden in 1964) offers a tale at once strange and all too familiar. The Swedish author made a living writing children’s novels that borrowed heavily from the fantastic lore of Nordic myth; stories which detailed the striking dynamism and power of Norse gods and the lessons learned by mere mortals.

Her stories were often deceptively plaintive. They hid a wealth of darker truths which brewed just beneath the crust of her mannered language.

by Alex Ramon

12 Apr 2017


“Well, where could they come from but someplace else?” asks Rickie Lee Jones, responding to a question about the derivation of her songs on the occasions that they appear to arrive fully formed, as a message delivered from the ether. “When they come whole, it makes it feel like it’s somebody else giving me the work. But I don’t know. There are so many answers… When I write stuff, I always go, ‘Thank you so much.’ So if I answer truthfully, I feel like I’m talking to somebody else. Whether or not it’s my heart that is setting me free or somebody else’s, it feels like there’s somebody else to say thank you [to] for what happens.”

by Imran Khan

5 Apr 2017


One of Ireland’s most beloved authors of children’s novels, Ellís Dillon practiced an economy of style in her work that was spare yet incredibly rich in its sense of atmosphere. Despite the fact that her books were intended for a young audience, the level of her writing achieved such distinguished heights that it appealed to an older generation as well.

//Mixed media
//Blogs

How It Slips Away: 'The Breaking Point' Crosses Hemingway With Noir

// Short Ends and Leader

"Whether we've seen or read the story before, we ache for these sympathetic, floundering people presented to us gravely and without cynicism, even when cynical themselves.

READ the article