Latest Blog Posts

by Renata Cossio

17 Jun 2013

Lenny Bruce

While reading How to Talk Dirty and Influence People, I grew to enjoy Lenny’s stream of conscience style, which becomes clear and concise by the end of the book (where he rants on about sex, religion and politics). Just when you think he has completely gone off subject, and maybe when you yourself have forgotten what he was originally writing about, he finds his way back. Chapter 27 on morality clauses come to mind; I might have to read it again:

“Recently I was offered a writing gig on a TV series (…).  But after two days, negotiations went right into the can. The company’s legal department killed it. Because of the morality clause.


by Jon Morris

14 Jun 2013

This is the case with Peter Trachtenberg’s beautiful and disturbing The Book of Calamities, which makes greater demands on your emotional capital than on your economic capital. Trachtenberg takes the reader from Ground Zero to Rwanda, from upstate New York hospitals to New Orleans in the aftermath of Katrina.

Still, if the stories—testimonies, really—that make up a great part of the book are poignant and horrifying, they are also inspiring.

by Jon Morris

13 Jun 2013

A blurb on the jacket of Charles Yu’s short story collection Sorry. Please. Thank you. Stories. compares the young author to Kurt Vonnegut and Douglas Adams, and while I can see why Yu might call to mind Vonnegut (less so, Adams), I found myself thinking more of the French postmodernist philosopher Jean Baudrillard than either of these two science fiction writers.

Why Baudrillard?

by Leigh Cuen

28 May 2013

In Wonderland: Surrealist Adventures of Women Artists was the first international exhibition of art created by female surrealists in Mexico and the United States. The exhibit was organized in 2012 by the Los Angeles County Museum of Art, in cohort with the Museo de Arte Moderno in Mexico City. Its corresponding book explores the work of over 40 artists, female photographers, painters, sculptors, and multimedia artists and a filmmaker.

by Dominic Umile

25 Mar 2013

A partial of one of Gay Talese's shirt boards.

Having originally appeared in The Paris Review‘s 2009 Summer Issue, a photograph of an ornate shirt board that Gay Talese used as a notebook for his now legendary 1966 Esquire story, “Frank Sinatra Has a Cold”, was heavily circulated via social media networks in February. In a special anniversary edition of Esquire that also featured Talese’s marked-up boards, the editors in 2003 called his artful profile of Sinatra the best story that the magazine had ever published.

//Mixed media

The Hills Are Alive, But Nobody Else Is in 'The Happiness of the Katakuris'

// Short Ends and Leader

"Happiness of the Katakuris is one of Takashi Miike's oddest movies, and that's saying something.

READ the article