Latest Blog Posts

by Chris Barsanti

4 Mar 2013

Over at the head-dizzying emporium of good things known as Open Culture, Josh Jones recently dug up a marvelous example of syllabussing (aka, the art of creating a class syllabus; spectacular word) from the late David Foster Wallace. From 1993 to 2002, while becoming the nation’s go-to literary wunderkind, Wallace also taught at Illinois State University.

His syllabus for the Fall 1994 intro class “English 102-Literary Analysis: Prose Fiction” eschews the books we’re all used to from college English lit classes (Zora Neale Hurston, Gabriel Garcia Marquez) in favor of an eclectic mix of mass-market fiction, ranging from Stephen King’s Carrie to Jackie Collins’ Rock Star.

by Josh Indar

8 Jan 2013

I was wondering recently if anyone still used actual, physical reference books when Oxford Press sent me the new paperback edition of the Oxford Dictionary of Reference & Allusion. I had no idea there was such a thing, but I love it! I’m always stumbling over some reference, either to some classical book I should have read in high school or some big deal movie character I never heard of. This dictionary totally answers that problem.

by Jennifer Breukelaar

12 Nov 2012

I have a great respect for collectors. Hoarders even. There’s something reverential about taxonomies (boxes, toys, little glass dachshunds, paper clips)—a mesmeric quality to so much like with like. Like walking through a cemetery.

Memoirists are similar. Like collectors, they acknowledge that before something can be remembered it has to be dismembered, de-limbed, cut off or separated from—so as to remember—itself. It is in such a spirit of re-collection that Sea Monkeys, the new ‘memory book’ from cult novelist, Kris Saknussemm (Zanesville, Enigmatic Pilot), proceeds.

by Claire Shefchik

6 Nov 2012

The stereotype of the rock bassist is that he’s an underappreciated second banana. But Mike Watt, who burst onto the scene in the late ‘70s with LA punk pioneers the Minutemen and whose artistic energy hasn’t flagged since, has never been content to let his instrument do the talking. This is lucky for us, because as On and Off Bass demonstrates through its lush, contemplative photography, prose and verse, Watt has plenty more that deserves to be heard.

by Ted Pillow

30 Oct 2012

Brett Helquist's rendition of a dog that is not a dog, from Scary Stories to Tell in the Dark

At first, Scary Stories to Tell in the Dark doesn’t sound like a very scary book. The title is awfully benign, conjuring images of campfire ghost stories that end with an overexcited “Boo!”

Frankly, it sounds pretty lame.

//Mixed media

Marina and the Diamonds Wrap Up U.S. Tour at Terminal 5 (Photos)

// Notes from the Road

"Marina's star shines bright and her iridescent pop shines brighter. Froot is her most solid album yet. Her tour continues into the new year throughout Europe.

READ the article