Latest Blog Posts

by Jon Morris

13 Jun 2013

A blurb on the jacket of Charles Yu’s short story collection Sorry. Please. Thank you. Stories. compares the young author to Kurt Vonnegut and Douglas Adams, and while I can see why Yu might call to mind Vonnegut (less so, Adams), I found myself thinking more of the French postmodernist philosopher Jean Baudrillard than either of these two science fiction writers.

Why Baudrillard?

by Leigh Cuen

28 May 2013

In Wonderland: Surrealist Adventures of Women Artists was the first international exhibition of art created by female surrealists in Mexico and the United States. The exhibit was organized in 2012 by the Los Angeles County Museum of Art, in cohort with the Museo de Arte Moderno in Mexico City. Its corresponding book explores the work of over 40 artists, female photographers, painters, sculptors, and multimedia artists and a filmmaker.

by Jennifer Breukelaar

12 Nov 2012

I have a great respect for collectors. Hoarders even. There’s something reverential about taxonomies (boxes, toys, little glass dachshunds, paper clips)—a mesmeric quality to so much like with like. Like walking through a cemetery.

Memoirists are similar. Like collectors, they acknowledge that before something can be remembered it has to be dismembered, de-limbed, cut off or separated from—so as to remember—itself. It is in such a spirit of re-collection that Sea Monkeys, the new ‘memory book’ from cult novelist, Kris Saknussemm (Zanesville, Enigmatic Pilot), proceeds.

by Claire Shefchik

6 Nov 2012

The stereotype of the rock bassist is that he’s an underappreciated second banana. But Mike Watt, who burst onto the scene in the late ‘70s with LA punk pioneers the Minutemen and whose artistic energy hasn’t flagged since, has never been content to let his instrument do the talking. This is lucky for us, because as On and Off Bass demonstrates through its lush, contemplative photography, prose and verse, Watt has plenty more that deserves to be heard.

by Daniel Rasmus

15 Oct 2012

Image from Touch

The Guardian recently documented a June trek of 25 people through the city of London, on (TS Eliot’s The Waste Land 2012 – a multimedia walk, (Henry Eliot, 30 July 2012). That a poem written in the early 20th Century remains resonant with people who live nearly a century later offers a testament to its often misunderstood and always daunting language, allusion and structure.

But being citizens of the 21st Century, we need not rely solely on the manuscript and printed commentary to bring the poem to us. With new devices like Apple’s iPad, the very idea of the book as a book has been reconsidered. The Waste Land, a cooperative work between Touch Press, Faber and Faber, BBC Arena and other collaborators, releases the text of the poem through the lens of the iPad. From its earliest incarnations, The Waste Land was as much a initiator of non-fiction as it was a poem. As Eliot sought to pad out his poem for book publication, he included a series of notes, which have become famous in their own right. The scholarship and commentary on the poem continues with the Touch Press treatment, which migrates much of its new insights from print to video.

//Mixed media

Notes, Hoaxes, and Jokes: Silkworm's 'Lifestyle' - "Ooh La La"

// Sound Affects

"Lifestyle's penultimate track eases the pace and finds fresh nuance and depth in a rock classic, as Silkworm offer their take on the Faces' "Ooh La La".

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