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by Catherine Ramsdell

20 Apr 2010

I’ve never lived in or even ever really wanted to visit New York City, but My First New York: Early Adventures in the Big City made me wonder if I was missing something. Edited by David Haskell and Adam Moss of New York Magazine, this book features a variety of musings supplied by actors, artists, athletes, chefs, writers, and even a porn star. Each reflects back on his or her first moments in New York City.

Beginning with David Dinkins, former NYC mayor who came to NYC in 1933, and ending with aspiring actress Jenny Joslin, who arrived in NYC in 2009, the book includes the famous, the not so famous, and even the somewhat infamous. Yogi Berra’s “essay” simply states “New York? It was big”; other essays, including those by Liz Smith, Dan Rather, and Nora Ephron, span several pages.

by Andrew Shaffer

16 Apr 2010

Chris Anderson wrote Free using the free Google Docs, on the free Linux operating system, and over a free wi-fi connection at a local coffeeshop. I even listened to the unabridged audiobook for free at Anderson’s website ( Anderson certainly walks the walk and talks the talk.

Free has now been re-released as a paperback with a new preface by the author. Although it’s been re-subtitled How Today’s Smartest Businesses Profit by Giving Something for Nothing, Free is less a “how-to” business book than it is an economic treatise on the history and psychology of “free.”

Anderson delves into the history of “free” in the modern era, turning back the clock to Jell-O’s free cookbooks in the early 20th century. “Give away one thing to sell another,” he writes, defining the concept of a “loss-leader.” Anderson charts the “radical price” through its evolution to the modern-day digital economy. “Information wants to be free,” the saying goes. He uses basic economic theory to show how software, music, and other digital goods have seen their real prices drop to nothing online. When the cost of distribution is “zero,” the price will follow—whether the sellers of the goods want to see that happen or not.

by Lara Killian

13 Apr 2010

Here’s your dose of young adult fiction for the day. Frankie Landau-Banks is a sophomore at an elite American boarding school where a mystery lurks, and it’s one that only boys are supposed to be involved in. Enter intrigue!

So of course Frankie needs to investigate. Puzzling out the pieces of a semi-secret old boys society, the Loyal Order of the Bassett Hounds, Frankie is determined to find out all she can about the group that forms the roots of future business deals as the boys graduate and attend top-tier universities, then go on to lucrative careers. Why should only boys get to do the social networking and bonding that mean their children too will be born with silver spoons in their mouths?

by Andrew Shaffer

29 Mar 2010

David Lipsky followed David Foster Wallace around the Midwest for five days in 1996, his tape recorder running for nearly the entire time. While the Rolling Stone article that Lipsky was interviewing Wallace for never ran, Lipsky held onto the tapes. Now, 14 years later, the tapes have been transcribed verbatim (including many “off the record” comments) and published as Although of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace. To be a fly-on-the-wall for their rambling conversation is an exhilarating experience.

Lipsky and Wallace talk about writers as varied as Stephen King, Elizabeth Wurtzel, and John Updike. They sit in the front of a theater to catch the action flick Broken Arrow. Wallace gives a reading at a bookstore for Infinite Jest, his recently released masterpiece, and he’s ambushed with an excruciating question and answer session (his least favorite part of readings). Lipsky and Wallace talk about Wallace’s rumored illicit drug abuse (just rumors, for the most part) and depression. Every word takes on new, haunted meaning through the lens of Wallace’s suicide, which Lipsky addresses in the afterward.

Lipsky makes minimal contributions to the text—fragmentary questions and explanations—that only give the reader the barest sense of the settings and context. Could the book have worked a little better as a proper biography of Wallace, with the interview cut up? That was my first thought when I started reading it. But it’s clear that Lipsky and his editor made the right choice: Although of Course You End Up Becoming Yourself is an intimate portrait told mostly in Wallace’s own words. It’s as close to an autobiography as we’ll ever get, and it deserves a spot on the bookshelf of every David Foster Wallace fan.

by Catherine Ramsdell

23 Mar 2010

I can stare at the photographs in The Rockabillies, a book by Jennifer Greenburg on the Rockabilly subculture, for a long time. I can come back to them over and over again and see something new each time. I enjoyed the photographs the first time I looked through the book, pausing to note the small details like the bright red dog tag on the snow white poodle in “Mr. Mysterious and Mamie,” the copy of Dracula in “Vivien on the RCA Victrola chair,” and the images reflected in a mirrored table in “Keith at home with his cat.” The amazing array of colors is eye-catching: the green walls and figurines in “The Stricklands next to their Majestic lamp” and the blaze of Fiestaware and the bright turquoise wall in “Mrs. Hughes in her kitchen.” Recurring images such as turquoise, tattoos, perfectly sculptured hairstyles, and reflections in mirrors invite comparisons and I often found myself flipping back and forth between photographs trying to bend the pages so I could examine two images at the same time.

However I truly appreciated these photographs only after reading the essays at the end of the book. “The Culture, Style, and Art of The Rockabillies” by Audrey Michelle Mast provides background information about the Rockabilly culture that started in the ‘50s and provides a framework for the Rockabilly culture that is still thriving today. The last passage of the essay provides the most food for thought. Mast closes:

//Mixed media

NYFF 2017: 'Mudbound'

// Notes from the Road

"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.

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