The years spent as a reporter painting the scene in Parisian cafes and on tuna fishing boats in Spain sharpened Ernest Hemingway's ability to carefully, confidently build a story.
Between third class train rides and afternoons at the racetrack, Ernest Hemingway filed “Living on $1,000 a Year in Paris” with an editor at the Toronto Daily Star in 1922. After a stint as a cub reporter at the Kansas City Star—where he was inevitably “forced to write a simple declarative sentence,” he later explained— the young writer was offered a job at the Canadian paper in 1920. Hemingway then took on a correspondent role at their Paris office and moved to France after marrying Elizabeth “Hadley” Richardson.
In less than 600 words, Hemingway tallies in “Living on $1,000 a Year in Paris” the considerable lengths to which he and his wife could go with the Canadian or American dollar in France’s capital city at the time. It’s due to “prices not having advanced in proportion to” the dollar’s “increased value.” Meals are compared to the “best restaurants in America” in his piece, and the lodging is “comfortable.” These are indeed the spare declarative sentiments of a dry newspaper report, and it’s a bit short for what appears to be a meaty collection of nonfiction at Byliner.com, where “Living on $1,000…” was submitted for perusal in early July of this year. Part social network, part digital publisher, Byliner launched in June. It connects readers to writers, but also to other readers, who are free to browse the hub’s digital archives for worthwhile narratives as well as submit links to stories not already collected at the site.