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by Imran Khan

27 Jun 2016


His rise to fame was spectacular but brief; as the lead in Berry Gordy’s deathless, runaway cult hit The Last Dragon, Taimak delivered audiences a character whose slash and burn approach to the martial arts was strangely offset by his quiet, unassuming charm. In Bruce Leroy, Taimak created an anomaly of personalities, housed in an individual who became emblematic of the contradiction to black stereotypes in film presented at the time. 

The year of the film’s release, 1985, came and went. And it seemed that Taimak did, too. What should have been a meteoric rise to fame was, in fact, a quickly extinguished flame.

//Mixed media
//Blogs

'The Chamber' Keeps the Drama and Suspense Going

// Short Ends and Leader

"The Chamber is the filmic equivalent of a fairground ride, the stimulation of emotion over ideas.

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