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by Lewis Huxley

4 Apr 2011


Amongst the praise for King of the World came a perceptive comment from Toni Morrison. “By using the Clay-Liston battle as a pivot and placing Muhammad Ali in an accurate social context, Remnick constructs a narrative very much like Ali himself: astute, double-hearted, irresistible. He is so completely in charge of his craft that it becomes an art.”

Biographies are often shunned by criticism, regarded as a resort of easy virtue. There is undoubtedly craft to presenting one’s life in writing: accurate articulation of events and characters in the subjects’ life; understanding the subjects’ standing and importance in their profession. But it is rare for biographical writing to be considered ‘art’. So how does King of the World differ?

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//Blogs

How It Slips Away: 'The Breaking Point' Crosses Hemingway With Noir

// Short Ends and Leader

"Whether we've seen or read the story before, we ache for these sympathetic, floundering people presented to us gravely and without cynicism, even when cynical themselves.

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