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by Imran Khan

3 Mar 2016


This article is brought to you in partnership with Orbit Books.

In Jordanna Max Brodsky’s at once familiar and promethean world of The Immortals, everyday life as we know it becomes the revisionist undertaking of a writer using Greek mythology as a sculptural tool. Brodsky’s novel is an urban fantasy, a genre that has developed a large following in the last ten years or so, but it’s also an inverse reading on gender politics—one that often finds cynicism on either end of the feminist literary debate. Brodsky’s primary tool for exploratory human drama is Artemis, embodied by the protagonist Selene DiSilva, who endeavours to protect women in need by means of stealth and aggression.

by Chris Barsanti

19 Jun 2014


Back when publishers still released books about Iraq, Thomas Ricks wrote a pair of them that were forward-thinking for the time but now look powerfully prescient. Fiasco: The American Military Adventure in Iraq, 2003 to 2005 (2006) was a damning an indictment of the Bush / Cheney / Rumsfeld crew’s excited rush to war and then seeming boredom with the details of actually managing it. It wasn’t the first book to lay out that case, but given the depth of Ricks’s reporting and his lack of ideological cant (which hampered a number of other books on the Iraq fisaco), it was one of the most definitive and difficult to dispute.

It was Fiasco’s less-celebrated 2009 companion volume, however, that truly stands out today.

by Chris Barsanti

3 Jun 2014


This article is adapted from the chapter “Mystery Train: Joe Strummer on Screen” in Punk Rock Warlord: The Life and Work of Joe Strummer.


Excepting perhaps only Fats Domino, the Clash’s Joe Strummer had the greatest name in the history of rock and roll. Of course, it wasn’t actually his name. Nobody has a moniker that perfectly suited to their profession, especially in the business called show. After all, the Rock and Roll Hall of Fame isn’t filled with people named John Smith or Ruth Adams.

by Chris Barsanti

30 May 2014


Above: Dublin signpost image from Shutterstock.com.


In a spare white lobby-like space just off Temple Bar, the walls are decorated with highly personable photographic portraits of distinctive faces. A facepainted woman with a wry smile, the tough-looking trio of girls leaning up against a brick wall, the farmer with his tractor, the bearded drunk with lidded eyes, the young drunks with wide-open eyes.

by Chris Barsanti

29 May 2014


Above: Dublin signpost image from Shutterstock.com.


The Dublin Writers Festival held its talk titled “The State of Crime” in a mysteriously out-of-the-way location: a small event room at the Central Library located up a staircase in the middle of the Ilac shopping center. It wasn’t spacious enough for the crime fans and would-be crime writers in attendance, so chairs were added and the doors closed on those who had arrived too late.

What they missed turned out to be less about crime and mysteries themselves but what’s behind them, and why one would want to write them.

//Mixed media
//Blogs

Hitchcock's 'Suspicion', 'I Confess' and 'The Wrong Man' Return in Blu-ray

// Short Ends and Leader

"These three films on DVD from Warner Archives showcase different facets of Alfred Hitchcock's brilliance.

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