The first six months of 2014 have already passed (time flies when you’re having… to sit through dozens of movies each week???) and there are already pundits pronouncing this the worst year ever, film wise. They point to the lackluster box office, the continuing success of bloated Summer tentpoles, and the inability for those seeking sanctuary from such spectacle to find realistic alternative outlets.
On the other hand, there have been a bevy of interesting efforts released this year that have either flown under the radar or received their standard Cineplex due, confirming that excellence is where you find it, not where it’s forced into some genre pigeonhole that Hollywood has micromanaged to influence international receipts. Indeed, the foreign film market is becoming so important, and profitable, for the Tinseltown suits that they frequently forget that US audiences count, too.