Beefcake star Cornel Wilde took control of his career in the mid-‘50s by becoming one of the actors who founded his own company to produce vehicles for himself, usually co-starring his wife Jean Wallace. His first such effort for Theodora Productions was the terrific noir film The Big Combo, and that same year he undertook his feature debut as a director, Storm Fear. He’d consistently be drawn to rugged, violent themes in which his directing style was vigorous and confident. And knowing his strengths as an actor, he was prominent with his shirt off.
Among its other remarkable qualities, Storm Fear was the first feature from a hot young writer of TV plays, Horton Foote, who was several years away from an Oscar for To Kill a Mockingbird and many more years from another for Tender Mercies. Even though Wilde’s film is a mere melodrama of criminals holing up in a family’s remote cabin, the characters are packed with enough backstory and complicated relationships to choke Tennessee Williams. Poor choice of words—let’s say enough to make Tennessee Williams blanche. Oh, let’s make it Eugene O’Neill. In any case, Foote was working from a novel by Clinton Seeley.