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Tuesday, Apr 28, 2015
by Steve Leftridge and Steve Pick
Look at the faces on you, ya ding-a-lings! Double Take flies over the Cuckoo's Nest this week. Medication time, everyone.

God and the Devil are intertwined again and again in the character of Randle McMurphy (Jack Nicholson); he’s just as capable of taking these men to Hell as to Heaven.


Steve Pick: Ken Kesey wrote one novel of great note before becoming the poster boy for acid use as the star of Tom Wolfe’s The Electric Kool-Aid Acid Test. One Flew Over the Cuckoo’s Nest was made into a play almost as soon as it was published in the early ‘60s, but the film adaptation didn’t show up until 1975, smack dab in the middle of the only decade that could have captured the mixture of oppression, comedy, violence, and horror. So, what do you say, Steve? Let’s talk about form, let’s talk about content, let’s talk about interrelationships, let’s talk about God, the devil, Hell, Heaven. Are you on the bus or off the bus with this one?


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Monday, Apr 27, 2015
Although Old Hollywood tried its darnedest to shoehorn great African-American performers as secondary players, in the otherwise blasé Irene, those players steal the show.

The team of producer-director Herbert Wilcox and actress Anna Neagle, who would later marry each other, made many English films and, for RKO, three old-fashioned musicals that revived older American hits to mediocre effect. The first of these, Irene, is now on demand from Warner Archive.


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Wednesday, Apr 22, 2015
This past week, two trailers dropped for a pair of the most highly anticipated films of the next year. In the end, only one truly triumphed.

It won’t be remembered as a rumble as royal as Ali vs. Fraizer, but 16 April, 2015 will go down as the day two of the most highly anticipated films of 2015/2016 squared off for their fair share of fawning/frightening fanboy love/hate. First out of the gate was the long awaited second “trailer” for Star Wars VII: The Force Awakens. Featuring more footage from the December release, as well as a final shot that sent aging admirers into a tizzy (more on this in a moment), it was greeted with glee.


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Tuesday, Apr 21, 2015
With the birth of home video, filmmakers have been able to tinker with their vision. Here are ten examples, however, of where their original endings were changed before said movies were released.

It is the rare film that comes out fully formed. One vision, manipulated by one person, is so unusual that many of the most famous movies are considered collaborations before anything else. Actors want to add and/or modify their roles. Suits who provided the necessary greenlight (and funds) want their notes and suggestions. Members of the various crafts—art design, costumers, F/X artists—all hope for a chance to offer up their creative choices, and then the entire package is collected, collated, edited, and focus grouped, allowing even those without a single clue about the art form to determine what stays and what goes. Someone like David Lynch may have “final cut” over his efforts, but more times than not, a movie is not a finished product until it opens at your local Cineplex.


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Monday, Apr 20, 2015
by Steve Leftridge and Steve Pick
Double Take looks at the men, the machine, the Moloch, the maiden, the master, and Metropolis as we attempt to find the intermediary heart between the Expressionism and politics.

With all its cinematic action, expressionistic designs, and thematic muddle, Metropolis is one of the easiest silent films to sell to contemporary audiences.


Steve Leftridge: Into the depths we go, brother. Oh, that Freder, with his lush hair and winged pantaloons and excruciatingly slow reaction times. Metropolis is rife with a few laughs it never intended to get, but when you compare it to the films of the same period—Chaplin’s The Kid, for instance, which we recently looked at for Double Take—it’s clear that Fritz Lang was working on a whole ‘nother level. Metropolis is remarkably ambitious in scope and design, and it covers timeless and sometimes scarily prescient themes and social concerns.


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