There's what's right, and there's what's right, and never the twain shall meet. Double Take tries to meet in the middle of Raising Arizona, which was released this week 28 years ago.
With so much comical choreography, camera hijinks, and gut-busting violence, it’s easy to see Raising Arizona as a live-action cartoon.
Steve Pick: We turn our attention now to Raising Arizona, the second film from the oddball ouevre of Joel and Ethan Coen. This one came out in 1987, a time when I wasn’t paying close attention to the movie world. I do know that by the beginning of the ‘90s, Raising Arizona was considered a comedy classic by a lot of the people I hung with, even though none of them had ever asked me to go see it with them. I caught bits here and there on TV over the years, but this was my first complete immersion into this tale of true love, the ways in which Huggies make changing diapers easier than changing one’s character, and the unbearable lightness of babies. It’s a black comedy, with almost as many homages to cartoons as would be seen in the partially animated Who Framed Roger Rabbit? only a year later. It continued the phenomenal rise to stardom of Nicholas Cage, back in the days when he was a lot skinnier, and a lot less imposing on screen. It introduced many people to Holly Hunter and gave John Goodman plenty of scenery to chew. Steve, what’s your history with this film and/or its directors and actors? How do you place it in the ranking of Coen Brothers movies?