In a phenomenon that historians have called itinerant filmmaking, small companies made a living traveling to various towns and making films. They might advertise in the paper, or they might pitch the project to city councils or booster groups as a promotional idea. They got paid to shoot local amateurs in little stories around carefully chosen locations. The small crew, sometimes just a director and a cameraman, would shoot and edit the picture and then give the print (usually the only copy in existence) to whomever had commissioned it. Then they would move on to the next town.