How do you make a movie called Cat People? That was the question faced by producer Val Lewton when put in charge of his own RKO unit with a mission to make B horrors from titles provided by the studio. He had the freedom to crank out a movie attached to whatever cheesy moniker was handed to him, as long as he stayed under budget.
He rose to the challenge with a series of atmospheric wonders that saved his effects budget in favor of suggestions and shadows. The first of these, Cat People, became a surprise hit, cannily (or uncannily) exploiting the nation’s wartime jitters.