With all its cinematic action, expressionistic designs, and thematic muddle, Metropolis is one of the easiest silent films to sell to contemporary audiences.
Steve Leftridge: Into the depths we go, brother. Oh, that Freder, with his lush hair and winged pantaloons and excruciatingly slow reaction times. Metropolis is rife with a few laughs it never intended to get, but when you compare it to the films of the same period—Chaplin’s The Kid, for instance, which we recently looked at for Double Take—it’s clear that Fritz Lang was working on a whole ‘nother level. Metropolis is remarkably ambitious in scope and design, and it covers timeless and sometimes scarily prescient themes and social concerns.