Pixar has a problem. No, it’s not one of popularity. Just this past weekend, the latest release for the critically acclaimed animation house, the terrific emotional rollercoaster masterpiece known as Inside Out, scored a measly $91 million at the box office. The studio’s Toy Story 3 is even a member of the Billion Dollar Club, sitting somewhere between two Pirates of the Caribbean sequels at $1.06 billion.
It’s not one of aesthetics, either. While Pixar’s recent regression in to blatant sequel-itis delivered a pair of duds (Cars 2 and Monsters University), the rest of its canon sits on 12 Oscars (eight of which were wins for the equivalent of Best Picture) and hundreds of other group and guild accolades. No other company, aside from parent host Disney, has done such an amazing job of turning its vision into viable awards season fodder.