Sometimes, my fellow film critics infuriate me. One of the most highly anticipated movies of 2014 has to be Gareth Edwards reboot of the beloved giant lizard Godzilla. Back in 1998, Roland Emmerich and Dean Devlin, hot off their success with Independence Day, were hired by Tri-Star Pictures to fulfill their rights agreement with Japanese producer Toho Studios for a trilogy of American Godzilla movies with the only prerequisite being they stay “true” to the original films and warn against nuclear proliferation and runaway technology. Naturally, the duo ignore most of said prerequisites. While there was promise in their approach, the final result was a ridiculous combination of showboating set-pieces and lax character development. Audiences agreed.