The play's the thing
The Reckoning begins with lovely, stylized, cold images of nature while Nicholas (Paul Bettany) shaves his head in a forest, drinks from a stream, and flashes back to his downfall from priesthood for sins of the flesh. After a terrifying encounter, he learns (again) that appearances are deceiving and takes up with a troupe of traveling players who perform “Mysteries” (Biblical plays) across the rural England of 1380.
They arrive at one village, dominated by the castle of the local lord (Vincent Cassel), just in time to witness a mute woman’s conviction for strangling a boy. She’s sentenced to hang. The troupe’s leader (Willem Dafoe) wants to put on a new kind of play, one that dramatizes the local event. After arguing the morality of this, their investigation and production stirs up new evidence and lots of trouble, as we realize we’re in yet another plot about a serial killer of children. This is apparently what we need to take our entertainment seriously nowadays.