Zombies never forget.
Redemption has released two early ‘80s zombie films that can easily be confused by the non-connosseur. Both are Eurociné productions scripted by Jesus Franco and sharing much the same crew: photographer, composer, editor, etc. Oh yes, and both are about Nazi zombies. However, they are differentiated by the styles and obsessions of their directors, Franco (on Oasis of the Zombies) and Jean Rollin (on Zombie Lake). Again, the casual eye may think both directors are similarly languid, but their signatures are apparent even though they used pseudonyms. That implies they regarded these products as inessential in their filmographies, and we’d agree.
Rollin’s film, although less interesting than his other zombie movies (e.g. The Living Dead Girl, The Grapes of Death), manages to be another of his elegiac sonnets about yearning for death and the love that transcends it (or delivers it). The setting is a French village haunted by an incident that occurred in WWII, which the mayor (Howard Vernon) says was ten years ago. That means the film is set in the 1950s; some details don’t really support that, but never mind. The French Resistance killed some German soldiers and tossed them in the lake, which has its own evil history, and now the decaying, green, flesh-gobbling zombies emerge whenever damsels go skinny-dipping, which is all the time.