For most of his career, director Werner Herzog has been struggling with the narrative themes of man vs. nature vs. man vs. his own nature. In brilliant films like Aquirre: The Wrath of God, Fitzcarraldo, and documentaries like Little Dieter Needs to Fly and Grizzly Man, the German auteur has positioned the practical human condition against the hurdles - natural, social, or psychological - that would stand in their way. Even his recent deconstruction of the police procedural, the brilliant Bad Lieutenant: Port of Call New Orleans, offered a contextual discourse on individual evil up against perceived public good, all set within a post-Katrina landscape beset by the unleashed elements of a hurricane devastated terrain.
His latest collaboration with producer/genius David Lynch, a self-described attempt to get back to “essential filmmaking” reflects this life long battle between the various forces of that effect our lives. Given the unusual title My Son, My Son, What Have Ye Done? and based upon the true story of a young man inspired by Aeschylus’s Oresteia to brutally kill his own mother, it’s yet another example of the visionary maverick’s undying need to expand his own artistic and professional horizons. Collecting a group of actors he longed to work with and aided in the script writing by Greek mythology expert Herbert Golder, the result is another delightful genre reinvention, Dog Day Afternoon where the standoff isn’t just between police and protagonist, but is instead intertwined with our killer and his kindly, understanding friends.