Latest Blog Posts

by Michael Barrett

18 Aug 2015

Cinematically, each era produces bits of musical nonsense that could only have come from that time. Just as Breakin’ 2: Electric Bugaloo  could have only been made in 1984, Oh, Sailor Behave! can only hail from 1930, a moment in the talkie transition marked by creaky stage properties of forgettable songs, unfunny schtick, and impudently, gloriously inane plots. The taste for lavish musicals died as quickly as it flowered in that year, and the result is a movie that, while intended for Technicolor, was released in black and white. It’s now available on demand from Warner Archive, looking and sounding none too spiffy for its obscurity in the vaults.

by Michael Barrett

17 Aug 2015

Although the leering poster for this movie promises something naughty while the trailer calls it “hilarious” and “riotous”, this is a comedy of misunderstanding and discomfort that’s almost not a comedy, except in the broadest sense that nobody dies. This slice of midcentury unease is now available on demand from Warner Archive.

Jim Fry (Jose Ferrer) is a complacent manager in a company of obtuse import where he’s worked for 15 years. He and his wife of nine years, Ginny (Gena Rowlands in her film debut), have arranged their lives into such a clockwork routine that no dialogue is necessary for the lengthy opening sequence of waking up (from twin beds), showering and eating breakfast. If you’re an arty film buff who’s seen Chantal Akerman’s Jeanne Dielman, where the characters make and eat breakfast in real time, it’s strangely reminiscent and almost avant-garde.

by Michael Barrett

13 Aug 2015

Beefcake star Cornel Wilde took control of his career in the mid-‘50s by becoming one of the actors who founded his own company to produce vehicles for himself, usually co-starring his wife Jean Wallace. His first such effort for Theodora Productions was the terrific noir film The Big Combo, and that same year he undertook his feature debut as a director, Storm Fear. He’d consistently be drawn to rugged, violent themes in which his directing style was vigorous and confident. And knowing his strengths as an actor, he was prominent with his shirt off.

Among its other remarkable qualities, Storm Fear  was the first feature from a hot young writer of TV plays, Horton Foote, who was several years away from an Oscar for To Kill a Mockingbird  and many more years from another for Tender Mercies. Even though Wilde’s film is a mere melodrama of criminals holing up in a family’s remote cabin, the characters are packed with enough backstory and complicated relationships to choke Tennessee Williams. Poor choice of words—let’s say enough to make Tennessee Williams blanche. Oh, let’s make it Eugene O’Neill. In any case, Foote was working from a novel by Clinton Seeley.

by Michael Barrett

11 Aug 2015

Foreign Intrigue is a fascinating curio for the connoisseur of cinematic byways. No classic, it’s mainly a talky and derivative tale as generic as its title. Yet it’s very well done: a continual pleasure to the eye, shot in various locales of mid-‘50s Europe with creamy colors and elegant camera moves by Bertil Palmgren, always tilting upwards or downwards at its actors amid Maurice Petri’s beautiful production design, edited with quaint and pretty transitional swipes, and at all times anchored by Robert Mitchum’s cagey authority as he wanders the shadowy streets between dalliances with the decorative seductiveness of Ingrid Thulin and Geneviève Page as the good/bad female opposites in his life.

The opening sequence, set on a lavish Riviera estate, unfolds to the strains of a romantic “Foreign Intrigue Concerto” by Charles Norman. The aging lord of the manor (Jean Galland) brings a red carnation inside and promptly has a heart attack in his library. His press agent, Dave Bishop (Robert Mitchum), discovers the dying man and, out of curiosity and cussedness, embarks on a trail across Europe to learn the secrets of his employer’s fortune and mysterious past, which may have something to do with blackmailing wealthy industrialists.

by Anthony Perrotta

11 Aug 2015

District 9

5. Starship Troopers (1997)

Starting off our list is Paul Verhoeven’s Starship Troopers. Based on the novel by Robert Heinlein, this sci-fi action flick tells the story of a conflict between mankind and a species of insect known as the Arachnids.

Set in the distant future, not only has earth begun to colonize new planets, but it has developed into a military society as well. However, soon the human race’s very existence is threatened and now this seemingly normal way of life is put to the test.

//Mixed media

Con Brio: The Best New Live Band in America?

// Notes from the Road

"There’s a preciousness to McCarter and the rest of the mostly young band. You want to freeze the moment, to make sure they are taking it all in too. Because it’s going to change.

READ the article