In some ways, it’s a natural subject for cinema. It has scope. It packs inherent drama. It has all the swagger, the allure, and the blood-spattered spectacle that makes the visual medium so viable. Yet the war film or TV series—an indirect derivation of the thriller, action effort, and (sometimes) critical commentary—is often foiled by the very elements it has to cater to. Offer up too much realism and the audience looks away in dismay. Play up the arrogance or the attraction and your motives are questioned. Human conflict is a tricky concept to completely nail down. In fact, the war at home is often is as intriguing both during and within the aftermath, than the depraved acts that brought us to the point of battle. In fact, some of the best material in this regard occurs not on the front lines, but in the front rooms of those left behind.