It may seem like an oxymoron, but Tyler Perry has made some good movies. Not GREAT movies, mind you, but perfectly acceptable examples of near mainstream entertainment that have the added benefit of bringing disenfranchised and forgotten viewers of color back to the cinema to celebrate their own. While still growing, he’s gained significant commercial status. Still, he’s a divisive character, a creator who loves to languish in the old school style known as melodrama while invoking an even more marginal device, the drag act, to generate laughs. Indeed, when decked out in full Madea Simmons garb, giving the young one’s what for while quoting soul classics from a bygone era, he’s the ultimate entertainment gimmick. Even if you find his films flawed beyond repair, the iconic gun-toting, pot smoking granny with a pantry of personal advice to ladle out like pans full of hot grits is a near guarantee of… good.
So why don’t more movie lovers “get” Perry? Well, it could be a lack of previous experience. He got his start on the stage, offering inspirational plays and musical variety shows to churches throughout the South. He then stretched to the more urban areas for the country. By the time his first film, Diary of a Mad Black Woman, hit theaters, he was an established part of the poorly named “Chitlin’ Circuit”. Since then, he’s tried to expand his scope to include other aspects of the American experience while always keeping his cause squarely situated in faith and the minorities who rely on it for hope/help. With yet another entry in his growing oeuvre hitting theaters this week (Madea’s Witness Protection Program, 29 June), it’s time to look back at what’s he has accomplished and highlight the decent. Perhaps, with a little open-mindedness, this list will inspire you to check out his sunny, often soul-uplifting efforts, beginning with: