For film, summer is the season of hyperbole. Everything is bigger, better, and more groundbreaking than what came just a short nine months before. Critics complain about the lack of originality and then soil themselves whenever a motion picture product proves beyond the middling and mediocre. One of the mantras you hear over and over, from the latest installment of Christopher Nolan’s Batman revision to another Michael Bay explosion-fest is: ‘make sure you see it on the big screen’ - as if watching worlds collide and robots ransack the planet demands an experience 70-feet high. Sure, visual splash sells better when not compacted onto a home theater system, but for the most part, video assist has guaranteed the experience will always feel format friendly. In fact, few filmmakers today really ‘get’ the notion of playing to the silver, not the smaller venues.
There are directors, however, who comprehend the needs of the epic. They visualize their ideas in larger than life swatches, switching gears and driving their designs to the very edges of imagination. Sometimes, their narrative demands such range. In other instances, possibility and its motion picture presence are measured out in vast, viable inventions. For us, these filmmakers represent some of the best optical experts ever. Their conceits demand the kind of Herculean housing that only a movie theater can provide. While there are many more one can name (and feel free to do so in the comments section), we’ve picked the 10 that we believe best exemplify the careful balancing act of storyline and scope. If you can, catch them during their often celebrated retrospectives. You and your waning cinematic aesthetic will be glad you did.