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In case you haven’t noticed, the summer movie season is upon us. In fact, many would argue that, with its stranglehold on the box office over the last four weeks, Furious 7 began what traditionally occurred between May and August of every year. Of course, when money talks, no one connected to the studio system walks; they run to the nearest script doctor and demand their piece of the plentiful pot.

This makes the months between spring and fall a free for all of repeats, remakes, sequels, serializations, copycats, and crap. The times both before and after those periods are dumping grounds, places for pictures that don’t have an easy selling point, an obvious (or appreciative) demographic, or enjoy a contractual obligation regarding a release, and/or any old write-off sitting up on the shelf.

It is the rare film that comes out fully formed. One vision, manipulated by one person, is so unusual that many of the most famous movies are considered collaborations before anything else. Actors want to add and/or modify their roles. Suits who provided the necessary greenlight (and funds) want their notes and suggestions. Members of the various crafts—art design, costumers, F/X artists—all hope for a chance to offer up their creative choices, and then the entire package is collected, collated, edited, and focus grouped, allowing even those without a single clue about the art form to determine what stays and what goes. Someone like David Lynch may have “final cut” over his efforts, but more times than not, a movie is not a finished product until it opens at your local Cineplex.

It remains one of the well worn clichés in the film business: ask a writer or actor what they want to do, and if they don’t answer “be a rock star”, they invariably say “direct”. Yep, the seat behind the camera, the voice of implied reason during what is often the cinematic equivalent of herding cats, seems to be what every non-director in Hollywood (and elsewhere) wants.

In some ways, it makes sense. There’s no better way to get your vision of a script or a character across to the audience then handling the interpretation yourself. There’s also the concept of power for the often powerless. For many first timers, the rewards can be astonishing. Such familiar names as Ron Howard, Kevin Costner, Mel Gibson, and Robert Redford have turned their time behind the scenes into pure Oscar gold.

At first, he was just a famous professional wrestler trying to make it in show business. As with many athletes trying to make the leap, it was not all smooth sailing. Before long, however, he was earning praise for his basic B-movie, Ah-nold lite performances. Then something happened to and with Dwayne “The Rock” Johnson, which elevated him from wannabe to true winner. He’s now known as the franchise savior, having stepped into such struggling series like The Mummy, G.I. Joe, and The Journey to the Center of… efforts, and most importantly, the Fast and Furious films. Indeed, with the latest earning boffo box office (almost $400 million over the first weekend) and the previous installments also worldwide hits ($788 million for Six, $626 million for Five), Johnson seems poised to have his first ever billion dollar baby.

It’s almost here. No, not the summer movie season; that’s still a good month and a highly anticipated Avengers sequel away. In this case, we are talking about the latest entry in the fluke franchise known as The Fast and the Furious. What started out as a celebration of all things racing, including an unnecessary diversion into “drifting”, has now become one of the biggest multi-cultural action series ever. We can thank the various creative forces behind the scenes for transporting said narrative away from the illegal street car challenges of the original movie to the dizzying heist drama of Fast Five and the international intrigue and spy games of Fast and Furious 6.

//Blogs

'Herald' Attempts the Troubled Waters of the Colonial Narrative

// Moving Pixels

"The “colonialism” at play is not between nations, rather it seems more interested in how it influences a man recently come of age.

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