Every film genre takes skill to realize. A good drama is just as hard to make as a good comedy, convincing sci-fi as difficult as exciting action. Nowhere is this more true than in the realm of horror. Frightening people, like making them laugh or sing along, is an individualized and rare commodity. Doing it consistently means you’ve not only cracked that particularly difficult nut, but you’ve found that elusive skill of worming your way into people’s exceedingly jaded and cynical psyche time and time again. It is only then when you can be called a true horror maestro, one of the few fear manufacturers who the devoted rely on to deliver the goods time and time again. Sure, there are anomalies here and there, but for the most part, their reliability overcomes the occasional lapse.