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by Bill Gibron

10 Jun 2015

Jackie Chan got his first film role way back in 1976, when a rival producer hired him for his obvious action prowess. Now, nearly 40 years later, he is more than a household name. He’s a brand, a signature star with an equally recognizable onscreen persona. For many, he was their introduction into the world of Hong Kong cinema. For others, he’s the goofy guy speaking broken English to Chris Tucker in the Rush Hour films.

From his grasp of physical comedy to his fearlessness in the face of certain death (until recently, Chan performed all of his own stunts) he’s a one of a kind talent whose taken his abilities in directions both reasonable (charity work, political reform) and ridiculous (have your heard about his singing career?).

by Bill Gibron

19 May 2015

It’s a concept as old as the films themselves. A lone man, fighting against insurmountable odds, lets his guard down for the moment and becomes vulnerable to those out to destroy him. Before long, there’s a group of rogues out to ruin our last honorable hero. In between, there’s a damsel in distress, or a widow with a outdated mortgage, or a kid in trouble, and our lead lends a hand, which only increases his other risks.

It’s a narrative formula that’s been used in everything from sword and sorcery to Westerns, crime stories to sci-fi and fantasy. But in 1981, Australian auteur George Miller found a way to make this otherwise arcane plot come to life—motorized life. His Road Warrior remains an action epic staple, an post-apocalyptic nightmare fueled by gallons of “guzzoline” and thousands of RPMs.

by Bill Gibron

5 May 2015

In case you haven’t noticed, the summer movie season is upon us. In fact, many would argue that, with its stranglehold on the box office over the last four weeks, Furious 7 began what traditionally occurred between May and August of every year. Of course, when money talks, no one connected to the studio system walks; they run to the nearest script doctor and demand their piece of the plentiful pot.

This makes the months between spring and fall a free for all of repeats, remakes, sequels, serializations, copycats, and crap. The times both before and after those periods are dumping grounds, places for pictures that don’t have an easy selling point, an obvious (or appreciative) demographic, or enjoy a contractual obligation regarding a release, and/or any old write-off sitting up on the shelf.

by Bill Gibron

21 Apr 2015

It is the rare film that comes out fully formed. One vision, manipulated by one person, is so unusual that many of the most famous movies are considered collaborations before anything else. Actors want to add and/or modify their roles. Suits who provided the necessary greenlight (and funds) want their notes and suggestions. Members of the various crafts—art design, costumers, F/X artists—all hope for a chance to offer up their creative choices, and then the entire package is collected, collated, edited, and focus grouped, allowing even those without a single clue about the art form to determine what stays and what goes. Someone like David Lynch may have “final cut” over his efforts, but more times than not, a movie is not a finished product until it opens at your local Cineplex.

by Bill Gibron

15 Apr 2015

It remains one of the well worn clichés in the film business: ask a writer or actor what they want to do, and if they don’t answer “be a rock star”, they invariably say “direct”. Yep, the seat behind the camera, the voice of implied reason during what is often the cinematic equivalent of herding cats, seems to be what every non-director in Hollywood (and elsewhere) wants.

In some ways, it makes sense. There’s no better way to get your vision of a script or a character across to the audience then handling the interpretation yourself. There’s also the concept of power for the often powerless. For many first timers, the rewards can be astonishing. Such familiar names as Ron Howard, Kevin Costner, Mel Gibson, and Robert Redford have turned their time behind the scenes into pure Oscar gold.

//Mixed media

Indie Horror Month 2015: 'Dark Echo'

// Moving Pixels

"Dark Echo drops you into a pitch back maze and then renders your core tools of navigation into something quite life threatening.

READ the article