Latest Blog Posts

by Valeriy Kolyadych

30 Mar 2017


One lamentable aspect of the current epoch in American society is the dissolution of the so-called “American Dream”. The idea that hard work and perseverance will allow everyone to live a comfortable life with a plot of land, happy children, and ample leisure time has been shown, time and time again, to be nothing more than a marketing strategy.

How does one respond to this? What are the psychological effects on the people in a society where such a divide between promises and actions exists? In many ways, Fraud, directed by Dean Fleischer-Camp, doesn’t explicitly tackle this subject, but it’s difficult to watch it without seeing the modern western condition reflected back at us.

by Paul Risker

27 Mar 2017


The claustrophobic story of four characters trapped in a submersible vessel is a bold move for a feature directorial debut. While it’s a choice that affords writer-director Ben Parker control over his location, it’s also one that offers him little flexibility—trapped on his own claustrophobic stage with his small ensemble cast.

by Michael Barrett

21 Mar 2017


Tom Conway, Ann Rutherford

A man’s silhouette walks unsteadily away from the camera, which follows slowly behind him as he approaches the signpost of an intersection at night. The shadowy man leans against the post because he’s hurt, bleeding from a head wound. He’s nearly struck by a cab, whose spunky little female driver jumps out to give him a tongue-lashing until she realizes he’s injured and doesn’t remember his name or anything else. “It’s am-something,” she says, and she’ll spend the rest of the night helping him retrace his steps to find out if he’s guilty of the murder that’s just occurred near that location.

by Michael Barrett

20 Mar 2017


While most of the titles in Kino Lorber’s Studio Classics line of Blu-rays are reasonably well-known titles that have been on DVD before, the company here performs a service in exhuming a pre-Code spectacle lost for decades. It’s of special interest to fans of old-school physical effects and early science fiction talkies.

Deluge  is an early example of what we now call the disaster film, though at the time it was advertised as a spectacle whose closest model was the same year’s King Kong. Based on a popular English novel by S. Fowler Wright, it posits an apocalypse convulsing the world with earthquakes and tsunamis, leaving survivors to rebuild.

by Michael Barrett

17 Mar 2017


Angela Lansbury and Michael York

Belying its ironic title, Harold Prince’s 1970 film, Something for Everyone, is hardly well-known, never mind a mainstream hit. It is, however, a cult specialty in that intersects several important careers more famous for Tony-winning Broadway work. With its VHS incarnations out of print for decades, it finally hits the digital era.

Riding a bicycle through Austria in his lederhosen, Konrad (Michael York) sets his sights on a castle currently owned by the poverty-stricken Countess von Ornstein (Angela Lansbury). It’s the same castle featured in his much-thumbed children’s picture book, and he will calmly go about inveigling himself into that fairy-tale ruin by any means necessary. This will involve romancing an heiress (Heidelinde Weis) and getting a job as a footman under the suspicious eye of a butler (Wolfried Lier), who represents the Nazi past.

//Mixed media
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'Inside' and the Monstrosity of Collectivism

// Moving Pixels

"An ability to manipulate a collective is a hint at what a little boy's power as an individual might be.

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