Criterion has done film buffs a favor (again) with this double shot of hard-to-find Orson Welles films of the ‘60s, both co-starring himself and Jeanne Moreau.
Chimes at Midnight (1965) manufactures a new Shakespeare play by combining scenes from five plays into the story of rollicking scoundrel John Falstaff (Welles) and his carousing friendship with the dissolute Prince Hal (Keith Baxter), the future Henry V. Moreau appears as Falstaff’s girlfriend, while Margaret Rutherford is Mistress Quickly. John Gielgud is the stern and disappointed Henry IV. It’s a rich, human story, anchored by Shakespeare’s language and buoyed by joyous performances. Welles’ portrayal of the massive ne’er-do-well climaxes in a great emotional moment that, according to the Welles biographers interviewed in the extras, resonates with his own feelings about his father.