The moral predicament of Escape Me Never rings as hollow from the start, making it watchable at best, but not swallowable.
Escape Me Never is a handsomely produced disaster that sat on the shelf for almost two years before Warner Brothers released it to widespread disinterest. Classic starwatchers can shake their heads in bemusement, for it’s now available on demand from Warner Archive.
It’s Venice in the year 1900, and a poor woman called Gemma (Ida Lupino) causes a commotion in a snazzy palazzo. Gabbling out the exposition of her life story while overplaying bits of business all over the room, she tells the swells that she’s an orphan with a baby and that she lives with a composer. By coincidence, her listeners think she means Caryl (Gig Young, with mustache), the composer who’s wooing their rich and proper daughter (Eleanor Parker, beautiful), but it’s actually his womanizing brother Sebastian (Errol Flynn, without mustache). This misunderstanding leads the quartet into a muddled and unmerry dance where Gemma is anguished by the cad she loves while he’s smitten by his brother’s girlfriend, and all anybody’s going to get out of it is a lousy ballet.