Granted, the characters are as cardboard as a Dominos Pizza crust (yes, even after the big overhaul - sorry, current sales team). The storyline is also so scattered, stupid, and silly that it can barely contain its own retarded ridiculousness. Almost all the actors are in it for the paycheck or the needed commercial profile (sadly, someone forgot to tell Chiwetel Ejiofor or Woody Harrelson) with a few barely able to keep a straight face through all the forced fear mayhem. Yet without a doubt, Roland Emmerich’s 2012 stands as the greatest disaster movie of all time if for one sequence and one sequence alone - the complete and utter annihilation of California.
As the film’s first major F/X set-piece, the German born genius of the mindless action apocalypse (Independence Day, The Day After Tomorrow) knew he had to craft a real showstopper, and for decades, pundits have been speculating that the next “great” quake would turn LA and its surrounding San Adreas fault line friends into a great big pile of Pacific floaters. Emmerich decided to run with that idea, creating one of the most mind-bloggling examples of CG chaos ever created, a sequence so sensational it raises goosebumps on your flesh as its systematically lowers your overall IQ. In fact, when viewed in the latest incarnation of the home video format - Blu-ray - one gains a deeper appreciation of the moviemaker’s warped vision, and how he turned it loose on our Left Coast cousins.