It goes way beyond a simple “he said/she said”. It’s the 24-hour news cycle broken down and deconstructed. It’s a Lifetime movie with megalodon teeth, a tour de force for a director that’s known for his dark, foreboding film work. Even with its bestseller pedigree, Gone Girl would be a significant cinematic achievement, mostly for all the things it avoids while getting so much of the mystery thriller genre 100 percent right.
Sure, there are the usual twists and turns, but they don’t dominate the narrative. Yes, we are stuck with a pair of unreliable narrators, but both deceive in (dis)service of the end result. With David Fincher at the controls and a series of subtexts strewn about, what could have been a basic missing persons drama becomes something far more meaningful, something far more daring. It’s terrific, and terrifying.