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Monday, Aug 25, 2014
This YA tearjerker could have worked, and it should have worked, but it had it's own demise already written into its DNA.

When the returns came in for The Fault in Our Stars, two studios must have been beyond happy. 20th Century Fox financed the film version of John Green’s popular YA novel, and were glad to see their old fashioned disease of the week tearjerker bring in over $48 million at the box office opening weekend. By the time the end of Summer rolls around, it will easily have banked more than $271 million worldwide.


This should have been good news for Warner Bros. as well, seeing as how it bet on another YA weeper, If I Stay, to further commercialize, and therefore capitalize on the trend. Prior to the 22 August release date, industry pundits had it easily winning the box office war, what with the nine years in the making Sin City sequel and a faith-based football title, When the Game Stands Tall, it’s only real competition. Surely it could mimic The Fault in Our Stars‘s success while beating back any lingering love for a bunch of mutant ninja turtles and a dancing tree creature and his pals.


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Monday, Aug 11, 2014
On a regular basis, yours truly will discuss many of the movie "firsts" that have occurred in his life over the last half century. Let's start with Brian De Palma's Phantom of the Paradise.

I was 13, and a budding cinephile. The Marquette Mall Theater in Michigan City, Indiana had become a second home, a relatively short bike ride away from the Gibron “estate” and a holder of hundreds of motion picture mysteries. None of them were more potent than the weekend Midnight Movie.


Even as a introductory teenager, the notion of staying up that late was still a tad ‘foreign’. On those rare occasions when we were traveling out of, or into, town at said hour, I would always crane my neck to see the crowds lining up at the box office. I wanted to know who was still awake enough to watch a movie, what manner of human had it in them to, at that late hour, keep alert enough to enjoy any entertainment whatsoever.


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Monday, Jul 28, 2014
With the release of the new teaser trailer, Fifty Shades of Grey proves that what might work in the boudoir just doesn't translate to the big screen.

Let’s talk about sex, shall we? Frankly. Honestly. Without adolescent snickers or contemporary Puritanical embarrassment. Let’s talk about the biological act, the physical intimacy between two people. Let’s not throw gender or orientation into the mix. Instead, let’s focus on the real issue at hand: the recently released teaser trailer for the upcoming big screen adaptation of British author E.L. James’ bestselling Fifty Shades of Grey.


Born out of that most incendiary of literary laughing stocks, fan fiction, it is the oft-criticized scribe who is now giggling, all the way to the bank. And it’s a book about sex. Sort of.


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Wednesday, Jul 23, 2014
The Amazing Spider-Man franchise is supposedly in trouble. Why?

Apparently, the future of a certain Marvel mainstay is currently “up in the air”. No, not any character from the Avengers or some of the second tier offshoots like the Guardians of the Galaxy. Not even proposed players like Ant-Man or Dr. Strange.


While the X-Men chug along mightily and Disney continues to distribute the wealth to its multi-franchised property, Sony has stumbled—big time, according to reports—on where Peter Parker and The Amazing Spider-Man should go next. There are even rumors that the franchise may be dead, having dropped significantly since the studio decided to reboot the webslinger shortly after giving Sam Raimi and company the boot.


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Monday, Jul 14, 2014
Despite the film’s hipster soundtrack and depiction of twenty-something malaise, it ultimately embraces the human spirit and all of the sentimentality that goes with it.

The year was 2004. I was a freshman in high school, and I was on the cusp of discovering my passion for cinema. I ditched class on a Tuesday and snuck into the local theater to see Zach Braff’s Garden State with a friend, not knowing that this would change my life and convert me to the church of cinephilia.


For those who haven’t seen the film, it’s about Andrew Largeman (Braff), an emotionally detached 26 year old who returns to his hometown of New Jersey for his mother’s funeral after living in Los Angeles for ten years. Andrew intends to visit for a few a days, and in the process reconnects with old friends, struggles to resolve issues with his distant father (Ian Holm), and forms a romantic relationship with Sam (Portman), a local young woman with problems of her own.


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