Now, for the controversy. Now, to stir up a spit storm or two. You can’t have ‘Worsts’ without ‘Bests’, and you can’t have either without some manner of aesthetic argument. Right now, there are lovers of a certain cotton-tailed character from a month or so back that can’t believe some cynical old jerk thought his merry little movie was one of 2011 animated abominations. Similarly, the minute this list of “likes” takes shape, there will be many admonishing the choices at numbers five and four (at least). It’s all part of the game, part of the process of trying to wrap one’s critical brain around what Hollywood hands us every January through April. Some years, selecting a group of good movies is not all that hard. In others, the pickings are slimmer than a supermodel.
In 2011, what we got the most of was promising if not completely successful content. Paul, for example, had the brilliant Simon Pegg and Nick Frost in the leads (and with the script) and the always interesting Greg Mottola behind the lens. Yet the alien on the lam with two UK geeks comedy really didn’t deliver on its percolating nerd potential. Similarly, a movie like The Green Hornet tweaked a ton of comic book conventions (pissing off the funny book fanbase in the process) and yet couldn’t quite bring together its clever combination of superhero and satire. The Mechanic was a fine action effort…and that’s about it, while Fast Five did a direct job of addressing the franchise’s often obvious weaknesses…and little else.