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by Bill Gibron

23 Jul 2014

Apparently, the future of a certain Marvel mainstay is currently “up in the air”. No, not any character from the Avengers or some of the second tier offshoots like the Guardians of the Galaxy. Not even proposed players like Ant-Man or Dr. Strange.

While the X-Men chug along mightily and Disney continues to distribute the wealth to its multi-franchised property, Sony has stumbled—big time, according to reports—on where Peter Parker and The Amazing Spider-Man should go next. There are even rumors that the franchise may be dead, having dropped significantly since the studio decided to reboot the webslinger shortly after giving Sam Raimi and company the boot.

by Jon Lisi

14 Jul 2014

The year was 2004. I was a freshman in high school, and I was on the cusp of discovering my passion for cinema. I ditched class on a Tuesday and snuck into the local theater to see Zach Braff’s Garden State with a friend, not knowing that this would change my life and convert me to the church of cinephilia.

For those who haven’t seen the film, it’s about Andrew Largeman (Braff), an emotionally detached 26 year old who returns to his hometown of New Jersey for his mother’s funeral after living in Los Angeles for ten years. Andrew intends to visit for a few a days, and in the process reconnects with old friends, struggles to resolve issues with his distant father (Ian Holm), and forms a romantic relationship with Sam (Portman), a local young woman with problems of her own.

by Bill Gibron

7 Jul 2014

Above: Promo still for one of Michael Bay’s Transformer’s films.

I have to admit - I have never been the biggest fan of Michael Bay. I don’t like theBad Boys films. I can watch both The Rock and Armageddon without retching, usually, while both Pearl Harbor and The Island suffer from some of the most egregious cinematic stumbles made by any supposed filmmaker.

I even hoped that Pain & Gain would jettison some of the King of Excesses more manic proclivities and actual be a “human” comedy. Instead, it suffered from the same problems that plague almost all Bay’s efforts, issues best exemplified by his tedious, tired Transformers tentpoles.

by Bill Gibron

22 Apr 2014

With its less than impressive box office totals and almost universal critical derision, many are calling Transcendence the first major “big budget” flop of 2014. There are even those who are taking the fallout even further, arguing that Johnny Depp’s tenure as an international superstar is over while pointing to his last few films—Alice in Wonderland, The Rum Diary, Pirates of the Caribbean: On Stranger Tides, Dark Shadows, and The Lone Ranger—as examples of his fading A-list status. Of course, Alice was a billion dollar “disaster”, while the pathetic Pirates pulled in another nine figures.

by Bill Gibron

17 Apr 2014

So there I was, on Monday night, sitting in the audience for Warner Bros. screening of the highly anticipated film Transcendence. The Johnny Depp sci-fi effort, the first feature to be directed by Christopher Nolan’s longtime cinematographer, Wally Pfister, has been getting a lot of buzz, and while I’ll save the critique for others on the site, I will have to say that another aspect of the movie experience bothered me to no end. After the final scene, after the final conflict was resolved and the open-ended conclusion clunked by, there was a smattering of applause followed by…nothing. No real movement, except for a few old codgers who had clearly seen enough. No, the vast majority of the audience simply remained in their seats, clearly anticipating the questions left by the film would be wrapped up in one of those by now annoying pre/post/during credits “stingers.”

//Mixed media

Because Blood Is Drama: Considering Carnage in Video Games and Other Media

// Moving Pixels

"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.

READ the article