For flame game rocker Aldous Snow, it’s been a bad few weeks. First, he crafts his musical “masterpiece”, a multicultural mess called “African Child” only to see it lambasted as the worst musical idea of all time. Then his equally famous gal pal, Jackie Q, leaves him, taking their child and running off to Italy to be with her new beau - Lars Ulrich from Metallic. Then, to make matters worse, the same old cravings for booze and pills come back, leading Aldous down yet another path toward public personal destruction. Enter industry intern Aaron Green. Hungry for his big break, he convinced his bosses that the broken down star deserves a comeback - perhaps at the fabled Greek Theater where he found his first big success.
Thus is the life of the fake rock and roll star, the man or woman who turns the world on with their whipsmart smile - and their symbolic sturm and drang soundscapes. As part of the winning, witty comedy Get Him to the Greek (new on DVD an d Blu-ray from Universal), the character created by British comedy bad boy Russell Brand is beyond redemption…and belief…and funny. Oddly enough, though, he is indicative of how most amplified music makers are viewed by the medium’s manipulators. In fact, looking over the ten celluloid examples listed below, you can see that Aldous is just one of many megalomaniacal characters who’ve taken an existence in service of their muse to ridiculous heights. Apparently, if you want to be a fake rock and roll star, these are the examples you have to live up to, beginning with: