Hauer’s entire career is characterized by elusiveness; it is impossible to pinpoint him on genre, type of character, or the scale or format of the productions he stars in, and this is what makes his oeuvre so exciting. Also in 2011.
With his piercing blue eyes, blond hair, and chilling performances, Rutger Hauer is not an actor you will quickly forget. At 67, he is more prolific than ever, with around seven films (depending on which country you live in) in cinemas this year. With international successes such as Blade Runner and The Hitcher, Hauer is one of the very few Dutch actors who have forged a successful career in Hollywood, and in the process singlehandedly gave Dutch cinema a face. Hauer’s entire career is characterized by elusiveness; it is impossible to pinpoint him on genre, type of character, or the scale or format of the productions he stars in, and this is what makes his oeuvre so exciting. This Wednesday—on the first day of the Amsterdam Fantastic Film Festival—he was honored with a Career Achievement Award. With all these accolades coming his way and a whole host of new films coming our way, it is the perfect time for a guidebook to Rutger Hauer’s 2011.
The Netherlands and the United States are the two defining countries of his career. Ever since he catapulted into the limelight with the risqué Dutch Turkish Delight, Hauer has found himself going back and forth between the two. With a major starring role in Dario Argento’s Dracula 3D coming up and his recent appearance in the coldly received exorcism-thriller The Rite, Dutch journalists again confronted Hauer with the by-now completely superfluous question: what about The Netherlands? Hauer grasped the award ceremony as an opportunity to remind all those present that he hasn’t forgotten his “Dutch soul.” The grass, the water, the humor, and even the reserved attitude of the people, Hauer loves it all. He currently resides in the province of Friesland, a province all the way up north characterized by an abundance of lakes and natural beauty and the relative absence of people.