Here’s a warning, well in advance. According to those on the inside, the Fourth Quarter of 2007, the three months leading up and through Christmas, are promising to be one of the biggest ever in terms of DVD product. Not just standard releases of the Summer’s biggest hits, mind you, but epic box sets for long awaited Holy Grails like Blade Runner and 2001. Apparently, packaging is the new marketing tactic, with elaborate presentations and add-ons taking the place of standard audience interest. So start saving those important pennies now. You don’t want to be the only one on your block without a Hogwart’s School Trunk loaded with the first five Harry Potter films, do you? Actually, you need to manage all your money wisely, especially with the blockbuster season about to end. The studios are gearing up with more and more first run releases, meaning you’ll need to figure how to deal those dollars effectively, beginning with SE&L’s selection of 07 August:
Who would have thought that an adolescent Rear Window
would be Spring 2007’s surprise sleeper hit? After all, star Shia La Beouf wasn’t (at the time) a major league star and director DJ Caruso was a TV mostly moviemaker with a few unimpressive feature films. Yet somehow, the combination of knack and novelty worked, resulting in a Generation Next take on the old school thriller. In fact, most critics point to the effective pacing, genial characterization, and drum tight narrative as reasons for its success. Granted, not everything here is Hitchcock flawless. The “is he or isn’t he” angle on the suspected serial killer is pretty obvious, and the ‘misunderstood teen’ material can grow grating at times. Still, for some good old fashioned goosebumps accentuated with lots of post-millennial tech tweaks, you could do a lot worse. In fact, if this effort leads more young people to the works of the true Master of Suspense, it will all be worth it.
Other Titles of Interest
Bubba Ho-Tep: The King’s Jumpsuit Edition
Bruce Campbell deserved an Oscar nomination (no, seriously) for his sensational turn as an aging Elvis in this brilliant Don Coscarelli genre-bender. Bloated, ornery, and a clear casualty of his unwieldy fame, he’s so amazing that we want more of his fried peanut butter and banana sandwich sloth. Long available on DVD, this unnecessary double dip changes nothing about the previous special edition, and adds a mock King jumpsuit as packaging. Great film. Needless rerelease.
Right before he made it big in America with 1995’s Rumble in the Bronx
, fans of Hong Kong action were praising Jackie Chan’s work in this standard Asian police actioner. While some will point to his Police Story
films as better examples of the man’s amazing stunt skills and physical acumen, there are enough death defying fireworks here to warrant attention. While you may find the lack of laughs a little disconcerting (this is one of Chan’s more serious roles), it’s still a great ride.
The First Films of Sam Fuller
If a film fan was looking for a literal, visual translation of the term ‘maverick’, a portrait of Sam Fuller would do quite nicely. As a young journalist, he covered the European theater during World War II, and he used that experience as the basis for much of his moviemaking aesthetic. Working in the standard machismo mannerisms – westerns, crime – he developed a determined cult following. Here, Criterion’s Eclipse series celebrates three of his earliest efforts.
I Think I Love My Wife
Chris Rock is an inherently funny guy. Give him a subject and he can riff away with devastating abandon. So why has his onscreen work been so mediocre, including this unnecessary remake of Eric Rohmer’s Chloe in the Afternoon
(yes, you read that right). Maybe it has something to do with trying to wedge an acerbic social satirist into the role of nerdy nebbish. Could be the lack of motivational insight. Whatever the case, don’t waste your time on this derivative mess.
The rumors seemed too good to be true. Hong Kong action master John Woo was considering bringing the famed Teenage Mutant Ninja Turtles back to the big screen in a serious, inspired by the original comics, CGI spectacle. Dork universe wet themselves. Turned out, the reports were false. The computer generated angle was all that remained once the newly minted TMNT
arrived. Fans found it decent. Others just ignored it. DVD will let you decide.
And Now for Something Completely Different
The Film Crew: Killers from Space
It’s enough to make fans of the brazen television treat Mystery Science Theater 3000
stand up and cheer. After years without new in-theater riffing from Mike Nelson and his robot pals, Legend Films and Shout Factory! have decided to team up and produce some MST
inspired mayhem. Recruiting Nelson and his automaton’s human counterparts – Kevin Murphy and Bill Corbett – a new spoof situation was created. They are renamed The Film Crew, and work for an insane CEO who wants every movie ever made – no matter how crappy – to have a commentary track. Last time out, Rue McClanahan’s stripper epic Hollywood After Dark
was the target. Now, it’s grade-Z schlock stuff Killers from Space
. Maintaining their deft comic touch, these new direct to DVD installments remind one of the delirious days on the Satellite of Love. While it may never match the original quip-fests frenzied funny business, this is a fine substitute.