Hey! How’s it going? Long time, no see. Everything okay? Good. Glad to hear it. Sorry we’ve been away for the last couple of weeks, but when the digital domain can’t be bothered to provide the home video enthusiast anything other than recycled rejects and mindless merchandising, there’s no reason to help in their senseless shill. Indeed, had SE&L decided to struggle on with regular updates of any and all DVD releases, we’d be championing crappy independent horror, oddball double feature combinations, and more than one bottom of the barrel Z-list title. So we sat back and waited – waited for a Tuesday when things weren’t unbridled bilge. And so, here we are again. Granted, there’s still some god awful gunk here (just say no to more mutant mayhem – Wes Craven), but for the most part, 17 July provides a few forgotten gems, including our choice for product du jour:
Ace in the Hole: The Criterion Collection
Billy Wilder often said that he never cared about genre or style. He just made movies of the kind he himself would like to see. This 1951 attack on the Fourth Estate, starring Kirk Douglas as a reporter who turns the story of a man trapped in a mine collapse into the original ‘media circus’, is a perfect example of this creative mantra. Mixing elements of comedy, drama, noir and the thriller, we soon realize that nothing much has changed in the press over the last fifty years. Publicity breeds corruption, the possibility of the spotlight (and the profits that can be generated from same) taking priority over morals, precedence, and life itself. The film alone would warrant an easy DVD decision, but thanks to those practicing preservationists over at Criterion, we get a much better window into what Wilder was aiming for (via a clever commentary and a series of interviews), as well as why the film remains as effective now as it was a half century ago. Apparently, art is timeless. The proof is right here for all to see.
Other Titles of Interest
The story of Andy Warhol’s Factory – a literal bohemian oasis amid ‘60s Manhattan’s cosmopolitan cool – is, apparently, an elusive entertainment ideal. Several semi-successful films have been made about the various infamous personalities linked to the effete artist, this take on the tragic Edie Sedgwich being one of them. Surrounded by controversy both during and after production, the results are uneven but intriguing, even if just from a fictional historical perspective.
The Hills Have Eyes 2
Wes Craven needs to have his horror credentials revoked – and we mean NOW!
As he continues to whore out his legacy for the almighty dollar (he’s currently directing a remake of his own Shocker
), he’s forgotten how to be relevant in the realm of fear. Responsible for the script of this terrible re-quel, the former fright king believes that mutant rapists and bungling army dullards equal stellar scare stuff. In truth, it’s one of the worst movies of 2007.
It’s a unique practice, and some say, a culturally significant tradition. In the lakes and rivers of Oklahoma, a distinctive brand of backwoods sportsman practices the time honored art of “noodling” – catching giant catfish with their bare hands. While many do it for food, others merely enjoy the danger and thrill of the kill. A long time cult favorite, DVD will hopefully open up this documentary - and its bizarre practices - to a larger mainstream audience.
Raymond Bernard – Eclipse Series 4
In what seems to be a neverending line of important French filmmakers, this more or less forgotten auteur remains incredibly significant. Helping to formulate the country’s cinema as it emerged from silents into the sound age, this Criterion Collection subdivision release offers two of his most significant works – an anti war epic (Wooden Crosses
) and the adaptation of a literary classic (Les Miserables
). Unfairly overlooked by scholars, here’s hoping the set jumpstarts his renaissance.
Yo Yo Girl Cop
She’s a kid. She’s a cop. And she uses a common playground toy as her weapon of choice. A revamp of a classic Japanese franchise from the ‘80s, this update boasts a more serious subtext (our heroine must stop student terrorists bent on bringing Japan to the point of anarchy) and amazing action sequences. And where else but in a film like this would you find a credit for a ‘Yo Yo Director’?
And Now for Something Completely Different
The Happy Hooker Trilogy
For those too young to remember it, the release of Xavier Hollander’s autobiography The Happy Hooker: My Own Story
in 1971 was a sensationalized scandal. As a madam and former call girl, the Dutch East Indies born beauty lifted the veil on sex for sale, and argued that pleasure for pay could be safe, erotic and positive. Naturally, the post-free love era wasn’t ready to be pushed that far, and the backlash made her an instant pariah – and highly sought after personality. Soon, her tell-all tome was being made into a film (Lynn Redgrave essayed the role of ecstatic whore), but the tone was tweaked away from significance and more toward kitsch. By the time the two sequels came along – The Happy Hooker Goes to Washington
(with Joey Heatherton in the lead) and The Happy Hooker Goes to Hollywood
(with Martine Beswick) – the series was nothing but pure camp. Finally available on DVD, these tame artifacts of a bygone era remind us that the subject of human horniness has come a long way in the last three decades – for better and for worse.
As June comes crawling to a close, the final retail Tuesday sees some interesting choices, all available at your favorite local home entertainment emporium. Granted, they tend to represent the less than successful members of the mainstream set, movies that failed to make their mark at the box office four to six months ago, and are just now seeing a seismic turnaround onto the fiscally friendly format. But there is a great deal to enjoy here, including a solid second film from a critically acclaimed director, a stereotypical uplifting sports film, a by-the-numbers actioner and one of the most intelligent looks at the horror film ever created. Toss in some off title entities and the usual under-performing suspects, and its standard Summertime fare. While it would probably do better come October, SE&L suggests you forget the sunshine and pick up its selection for 26 June. It will have you thinking of Fall’s autumnal terrors lickety-split:
Behind the Mask: The Rise of Vernon Leslie
Attention all horror fans – it’s time to rejoice. After six months of fading fortunes at the box office, there’s a new scare sheriff in town, and his name is Scott Glosserman. An obvious genre maven, this first time filmmaker has crafted one of the cleverest, most inventive movie macabre spoofs since Wes Craven made us Scream
. Using the novel idea that all slasher serial killers (Jason, Freddy, Michael) are real, and that they all conform to a kind of slice and dice code of ethics (can’t enter closets, must locate virgin to act as ‘survivor girl’), Glosserman deconstructs the ‘80s splatter favorites and turns them into psychological studies worthy of Freud. Then we meet the title character, a mass murderer wannabe who has hired a documentary film crew to follow him around. It’s their interaction, and the last act switch into a standard scary movie, that really sells this sensational experiment. If you’ve been burned by the recent redundant dread, give this indie effort a shot. You’ll be glad you did.
Other Titles of Interest
Black Snake Moan
For a follow up to his wildly successful Hustle and Flow
, writer/director Craig Brewer decided to go down the old fashioned exploitation route. He came up with a story about a black blues musician taking a slutty white girl under his wing, attempting to cure her ‘provocative’ ways by chaining her up. While it wants to be a Baby Doll
for the new millennium, there’s more tenderness than taboo here.
It took James Wan almost three years to return with an answer to the massive sophomore success of Saw
. The result was this movie macabre oddity, the story of a killer ventriloquist and her possessed dummies from Hell! Trying to fuse old school terror with nods to both the Italian and Japanese styles of horror, many fans failed to see the fright. DVD will be the perfect place to rediscover this potential cult classic.
Victor Salva is at it again. No, not THAT. Instead, he is making yet another film about a loner like teenage boy looking for guidance, and in this case, finding it from a kindly older man. Salva’s scandalous past, including a conviction for child molestation, doesn’t seem to deter his directorial fortunes. While other artists struggle to get movies made, he consistently finds films to forward. Such is the weird workings of the industry.
At this point in the genre, it must be harder and harder to find motivational stories of unlikely sports teams beating the odds and showing the status quo that they too matter. But this tale of the Philadelphia Department of Recreation swim club started by urban do-gooder Jim Ellis (a decent Terence Howard) has a nice period feel, as well as an inspirational hook that most movies of its type can’t match.
Mark Walhberg is a marksman lured out of hiding to protect the President from assassination. Naturally, he is double crossed and accused of the eventual crime. What follows is another standard big budget action extravaganza with too much bombast and not enough believability. It’s a shame that director Antoine Fuqua has had such a troubled time of late. All Tru Blu
scuffle aside, he remains a promising feature filmmaker.
And Now for Something Completely Different
Frankenstein Conquers the World/ Frankenstein vs. Baragon
It has to have one of the greatest premises of any Toho production. The heart of Frankenstein’s monster is recovered from a European stronghold during WWII, and is kept in a Japanese lab. When the Hiroshima bomb is dropped, the organ takes on a life of its own. Soon, it’s guiding a feral boy with a freakish facial deformity. Baragon shows up, and the two square off in standard man in suit style. Originally scheduled as another Godzilla sequel, this unusual take on the giant monster movie has to be seen to be believed. And what makes matters even more unbelievable, DVD distributor Tokyo Shock is giving this far out film the two disc special edition treatment. Offering both the original and English language versions, as well as commentary and other contextual tidbits, we gain insight into series creator Ishirô Honda, and how seriously said film were taken. Fortunately, for us, it’s all fun and foolishness.
This is clearly a week to thank your favorite higher power of choice for the existence of a company called Criterion. If you had to rely on the standard studio DVD decision makers, you’d get nothing but second tier theatrical titles and usually unnecessary ‘special edition’ cash grabs. Since their inception almost two decades ago, the cinematic artform’s number one advocate has been doing its best to preserve important films while introducing unknown and forgotten movies to the post-modern audience. More importantly, they understand the value of context and do their best to fill out their packages with as many explanatory extras as possible. On 19 June, this dynamic distributor will deliver three prime examples of their production policy. One is a renowned work of ‘60s social commentary. The other two introduce a new voice to the ever increasing motion picture mix. In all cases, the results defy standard digital convention and provide an approach to film rarely seen in your standard release.
If…- The Criterion Collection
The English boarding school system is a setting ripe for motion picture allegory. Therefore it’s no surprise that Lindsay Anderson’s class conscious metaphor of youthful rebellion taken to extremes remains a strong socio-political statement. In fact, it more or less fell out of circulation once the awful events of Colombine suggested a vague, virtually indirect connection. But no matter the pundits’ position, this is one incredibly strong motion picture. Trading on star Malcolm McDowell’s inherent wickedness (it was something that moved Stanley Kubrick to cast him in A Clockwork Orange
) and the closed knit, good old boy network nature of British education, Anderson argued that the sins of the father – or in this case, the Establishment – will always come back to revisit him/them. It also complains that pain, not power, is the instigator for most violence. Thanks to Criterion’s insight-heavy treatment, the real intention of the film can be debated for decades to come.
Other Titles of Interest
Bridge to Terabithia
Disney, ever desperate to jumpstart their waning live action fortunes, teamed up with former animation giant Gabor Csupo (Rugrats
, The Wild Thornberrys
) for this mostly successful adaptation of Katherine Paterson’s award winning children’s book. It’s not just the fantasy sequences that work here – and they’re indeed magical. This is the rare family film that has both heart and head to spare, resulting in a richly rewarding experience for young and old alike.
When did Renée Zellweger become the mock Brit du jour? Granted, her work in the Bridget Jones films proves she can pull off the proper UK accent, but do the English really appreciate a born and bred Texan taking over their favorite female leads. Case in point – this rather syrupy story of Beatrix Potter, famed author of the Peter Rabbit books. Thankfully, Chris Babe
Noonan makes it all go down with minimal schmaltz.
Reno 911 – Miami
The list of successful small screen (TV) to big screen (film) translations is minute, to say the least. In the case of this Comedy Central COPS
parody, the jury is still out. True fans will enjoy seeing their favorite characters cavorting in and around the South Florida setting, unencumbered by the burden of basic cable censorship. Others will wonder why efforts that manage to perfectly conform to one medium try to broach another.
Sweet Movie – The Criterion Collection
Those preservationist experts at Criterion are apparently desperate to introduce the work of Yugoslavian surrealist Dusan Makavejev to the uninformed segment of world cinephiles. In one of two releases available, we are drawn into his world of weird juxtapositions, interpersonal propaganda, and outrageous irrelevance. Be prepared for hardcore imagery, narrative indecipherability, and self-important postulating. Clearly, these will be ‘love it or hate it’ offerings, even for the most adventurous film fan.
W.R.: Mysteries of the Organism – The Criterion Collection
It’s supposedly about sex. It also claims to be about politics and imperialism as well. Somewhere inside Dusan Makavejev’s half fact/half fiction take on female genitalia and fascism is a really evocative take on how we allow ideology – personal and political – to thwart our basic humanity. Or it could all be just some elaborate in-joke on the part of the director. Perhaps Criterion can clear it all up. Or perhaps not.
And Now for Something Completely Different
To call the 8 Films to Die For
After Dark Horrorfest a hit or miss affair is to state the stunningly obvious. At least four of the films were outright rejects (Wicked Little Things
, Dark Ride
, and Penny Dreadful
) while the other four offered varying levels of cinematic success. This visually dazzling offering from Spanish wunderkind Nacho Cerdà (famed for his necrophilia short Aftermath
) may not be the best (that right is reserved for Grudge helmer Takashi Shimizu’s Reincarnation
), but it definitely builds on the basic delights of The Gravedancers
and The Hamiltons
. In this tale of an American movie producer haunted by her past, we get mountains of atmosphere and dread. Too bad then that the story is little more than a movie macabre molehill. What could have been epic ends up simply eerie. However, in a genre desperate for anything remotely terrifying, Cerdà’s semi-success is greatly appreciated.