Mendelsohn: I couldn’t tell you when I got a copy of the Violent Femmes’ self-titled debut. I don’t even know where I bought it or why (it probably had something to do with “Blister in the Sun”). I don’t even recall listening to this album all that much. But going back to it for this week’s edition of Counterbalance, I realized that I had done an adequate job of internalizing the record. And then I had something of an epiphany as it dawned on me that the Violent Femmes may have very quietly been one of the most important rock bands of the 1980s, if not the past quarter century. Not so much for the band’s surprisingly varied catalog of material but for their legacy and the idea that a three-piece acoustic punk band is a viable vehicle for rock music. They are one rock band in a long line of rock bands who celebrated the simplicity of pop music from the fringes, attacking convention with a mix of humor and violence.
What’s your take, Klinger? Is the Violent Femmes’ debut worthy of its No. 304 ranking on the Great List?