On Monday, Eric Avery announced his second departure from Los Angeles alt-rock icons Jane’s Addiction on his Twitter account, a development that was confirmed the following day by band members Perry Farrell and Dave Navarro (via their own Twitter accounts, no less). According to news wire reports, rumors are already swirling that Avery will be replaced by once-and-forever Guns ‘N Roses bassist Duff McKagen. Jane’s Addiction has long been defined by its volatile inter-band relationships (hell, you can argue that’s what gives its music its spark), but this latest turn of events highlights how the group has squandered its cultural legacy over the years.
While other legendary alternative rock bands ranging from the Replacements to Pearl Jam have at times been criticized for being more musically conservative, from a career standpoint Jane’s Addiction has been the most staunchly rockist of them all, with its slew of ego battles, drug addictions, reality television shows, tell-all autobiographies, and in particular its countless cycles of breakups and reunions. Adding to the list of rock star tropes, the group’s last record, Strays (2003), was produced by Bob Ezrin, a man who built his career working on albums by such classic rock warhorses as Alice Cooper, Kiss, and Pink Floyd. Although Jane’s is rightly regarded as having been a pivotal force in the development of alternative rock (a legacy supported by its role in breaking down barriers for the genre in commercial radio as well as in founding the Lollapalooza festival in the early 1990s), incident after incident of rote rock star news items makes it hard not to think of the group these days as Mötley Crüe with less spandex and more tattoos.