Mendelsohn: There are two things I find odd about the Great List. One, the lack of hip-hop. I’m not going to get into it—the rockist nature of the Canon is what it is and will change slowly over time. I get that. Two, I’m a dumb Yankee and finding the odd record that only made it in the UK sitting near the top of the Great List always catches me off guard. It was weird and exhilarating to find Massive Attack and Portishead in the Top 100. On the flip side, there are also two Oasis records in the Top 100. Sometimes the UK giveth. Sometimes the UK shouldn’t have.
What’s the point? How about a hip hop record from the UK, sitting at no. 189—The Streets’ Original Pirate Material This is weird and exhilarating, Klinger. A hip-hop record, from the UK that got almost no play in America, camped out in the Top 200. I’m ecstatic. Back in my younger days I was a bit of an obscurest wanker and snapped this record up when it hit stateside in the fall of 2002. I was impressed by the East Coast hip-hop filtered through the driving garage beats. Mike Skinner, the man behind the moniker, had a way with words, painting vignettes of violence and humor from across the pond, offering a quick link to a world nearly identical to mine. I still enjoy the record. It doesn’t have nearly the same pull it did a decade ago, but then neither do I. What do you think? Are you going to be a stand up geezer or are we going to get paralytic and fight?