Nine Inch Nails' 1992 EP is half an hour of visceral, undiluted anger delivered through muscular, caustic guitars and Trent Reznor's anguished screams. It is concise, focused, and arguably the pinnacle of Nine Inch Nails' discography.
Trent Reznor: industrial auteur, Generation X icon, Grammy Award winner, lavishly-praised film composer, and, as of recent months, a first-year eligible entry on this year’s Rock and Roll Hall of Fame induction ballot. When Reznor was toiling late nights to piece together the first Nine Inch Nails album Pretty Hate Machine (1989), did he ever conceive that the angst-laden electronic/rock hybrid he was fashioning would immortalize him so? Whether he had or not, any dissection of a career that now spans a quarter of a century will surely confirm that the man has thoroughly earned it.
Through the popular music lens that typically views artists’ output in terms of albums and singles, Nine Inch Nails’ story starts with Pretty Hate Machine and them jumps five years later to The Downward Spiral (1994), Reznor’s ambitious magnum opus. Or to put it another way, the story moves from “Head Like a Hole” to “Closer” and “Hurt”, with little elaboration between. However, such a bare-bone narrative of the NIN story leaves out an essential chapter, one that’s easy for the uninformed skip over in the CD racks due to its slight six-item tracklist and therefore perceived inferior content-to-price value quotient.